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$ 4G 4) 8aag t94 ef pe riba bed ashe 
14 renter ty: > 


swine 

A siby 

er ere terre trrrc Co 
etireremeertu pure eet Wor eee or 
febetereretrr ener ri y rrner -teeeir renee Ts ks 


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w felt away eh af » wrrireperr nae ttre Le 
pee aerhous bapa Bh aeabtae he Ter 2AAD TH ~” 

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te ing Aun ae daiped setne ng shay area eked abad ne Otis > 
alia drt Shad sb abe ssh sG ated eiaatnel abe 
Asosihon rte al gene: 
pen emunig pls 

papers rth Frets 
tpime UR ade waner 
porrastrert ipader 


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Piel ood ove 

ppeerts Taree 

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apt de pears 

51 Pui tirt ans abide 

1h av 90 90 seep eae 1 


Pi 4AUA Dm dp pa priced 
ori brT ages Pe 9m 1e 

aaihats ath 3 bres Ante th aip 

saan ves ad 


; 13M Seon aie i siegaabat-aaaahps aarrureh 
atta repent perros a) 
Tae te! abhi bhi) Ba vaepeni Heavy tareieriiepn raat bene Setet 
Baty ce Py MOBADAND aaib 4 yA Ae Weng ht RP £7 Sige bo pa amen Bore 9M wine 
m ii Uap ehwetier d papa nat batatt « danse si 
ma ne Le | " 4 * st) pry vee 
hereon) weber Adee jan 9it > 4 noi ana p epee? 
4 Aci bed vilee ey oy ohos aja M8 
TL) 1 ea URG Mab pA Si : menererrerir fiery n cy) veekors 
suit adeae 4 4 cyaheqeusaubedoba teil ek ek oti +08 Mhsttabeisea 
us ¢ eer rrr jeaw Tr enittepet Tete Ake oh onee bine let bias we $ ° sree 
ed etre bed it AUney a sali" vi hbk hatte eho otk Hoos apepoane npegoees -f 8 ed fea ve bats oe 
’ kin hier ¥) pias ainioe shebe Fyne) ADM Gola hed egienrtorrry? me rote gamebs 
’ 4 ’ ‘ ’ ryeouty re wiht) neg he: 
' " theo a ais ine a sige phd 
’ an my 2 297 bxee ae yal icdh N95) eaeg watt 


Pa 


a 


ee feed F 
cuties A 
pal ie ce 


i 


oneal's 


* Ginenees on della, Da- 
Hdward Brandus,.. 
on Looking for Prey;”” ‘anony- 


nous bIMdee. 2 eee os Great 
iam H. ‘se Uiananetb and Cattle” 


Collections Sold. 
———__4¢—______- 


Was $1 
eath,” sold tee 
which went ae 


: s the. Ford,” | \}seventy items. 


‘nous snow picture: ‘showing a@ 


d was knocked | | picturesque roof lines, 
for ae on the first] | 
ait of the Marquis! 
‘onby- $500. to an} 


me 6n Beach,” the} 
to ba offered at auc- ; $760 for another Barye bronze, 


Was bought by Mr. 3 


buyers, Mr, Martin} 
rchases, Cazin's, ‘“Wind- 
i”. for $6,600 and Lher-} 
ers” for $7,500. Mr. John} 
a $5,200 for Gorot’s ‘“‘Bend 
$2,050 for Clays’ ‘‘A Calm 
t.? Mr, D. G. Dery paid 
eau’s “Song of the Shell—' | 

Cornish paid $5,600 for] 
“The Noontime Drink’ and|. 
7 $2,100 for Dé Bock’s ‘‘Sun-| 
the Pool.” 


Among the miscellaneous 


a collector who kept hig name secret. 


the price, were sold as follows:— 


a Sean Oo 480 


ae Bidder Gets It oe 
_traits for $35—Art from Several 


Other paintings which brought $400 or 
|more, with the name of the artist first, 
then the title, the name of the buyer and 


1 A Tot of. paintings, Barye pron, a 


bal estates, was sold by the. AIAG, 
‘Galleries at the Hotel Plaza last night, 
'|Thomas IE. Kirby, auctioneer, for. 


At the first session last night of a two} 
days’ sale of paintings and other art ob- Thunderstorm, 


tections! in the’ Picco of the oa 
|| Hotel, under the auspices of the American 
{Art Association, $18,220 was realized for, 
The ‘highest price was) 
$2,075 pald by Mr. John Levy for Fritz|the late Charles Clark, Sue. McLure | 
iF | Thaulow's “Bridge at: Beaulieu,” a lumi-| 
stone bridge 
Mot many arches and ‘beyond it cottages of |, oynes ys. 
|stone, brick and plaster, with varied and ing at tiie Lectin sete 
The next Bigheet 
|| Price, $1,500, was paid by an anonymous 
bidder for a Barye bronze, ‘“‘Panther. Seiz- 
Hing a Stag.” Mr. George B. Wheeler paid |, 


| 


| 


items was] | 
\|“Portraits and Lock of Hair of Queen 
Victoria,” which was acquired for $35 by. ithe Storm centre of thé*bidding lastnight 


| Romance, Jacquet: Edward Brandus..... oD 


Aa 


aa 
fy eo ies PL Ww. 


“Arabian Horsemen” 
00 to the Holland Galieriés, 


| Fritz Thaulow, 


{Spanish School, 


William Hart, ‘Summertime’’; anonymous 
bidder ..... DARN E ges aaat a Tot ELON ig Urwieats enue $466 


firm paid $4,000 for the same cai & pa ieatato “Landscape’’; Mr. Sey- ek 
b -Cavaliers+Chief’s | Staff. 29 D BLAS RAR Reece i aU R ede e ares esib eee ey 
‘pictures. selling for more than! Me do ee Rural Courtship’’ Ae 
h the artist’s name first, then the} | Gustave ‘Jacquet, ‘‘Romance’; Mr. Edward’ 
buyer’s name and the pricé, were SOTAR ONS ria ane ae ene Mle eR IK ore a 


600 
“Sunset on the Riyer’’: t 
land; Gallery. bathe aaah ste tat eibrte sei g) ta) brews sig ts chabaes AEG 


“Saint Cecilia’?; M. Knoed- 


tet bae J OO Fh ic 5 5 
|| Robert C. Minor, “Cradle of the Hudeon’’: 
AN ee Hei Mi iwmep o eget | 
Eduard Schleich, “Thunderstorm’’; Mr. Henry 
wee etree rete keen ees en ses ne Schultheis CslaG LER tot thoes 2) 800 
ce tesa vases 00) assent ting at Ancor in dui 
ete ie. 4, ics oe eave. 1.205 geo ae fo ete ne a 435 
ak ae BE Khoedler é ||Jean Edward Goubie, ‘The eae Hol- 
ee bgh ee 1,200] pea tlt ot clo Aa ce 2 NE aR 405 
M. | At to-night’s session. here will be sold 
Pick. saan 1,000}! Stuart’s portrait of General Knox and sev- 
eral Barbizon Pictures, including two by 
550! | Corot. 
"S50, | 


” "Sot 
4 ps: lanes Figure... 


belonging to different individ 
oAFt 


ulow “f Bridge at. eee 
e highest price.of the 
hn Levy for $2,075. | 
ant, paid the second 


220A Este Th 
lieu*’ brought | 
evening, going to, 
lw, W. Seaman, 4 


highest | price’ - x = Barye bronze, 
‘Panther Seizing a Stag,’? $1,500. wi 
| autograph. letters and memorials sold! 

at the close of the sale. 


There were a Renee of portraits 
An etchin <a 
‘Corot, an autograph letter and a ge 


_|trait of the artist, the three framed 'td- 


ee er: brought the highest of - these 
ee $160. A- portrait. of Queen Vic- Ga 
oria aS a young Queen in white satin a 

land ermine, with a lock Of her hair ' 

der glass, brought only $35. Two por. 

‘traits of the FMmpress Josephine with. 

medallions of Napoleon brought $40. 


Among the higher Pees “pictures” 
were: : i 
Summertime, William Hart, cone MO, 4 

Bernet agents aa Kae cicige samme cate $460: 
Rural ° Courtship, — Daniel 


Ridgway; = } 
Kuieht) John levy sates wer eee 7 | 
| Landscape, Henry W. 5 
Rosendale 


Cee eee ae ee ere ee a ee ee ed 


Sunset .on the River, ‘Thaulow; ‘Holland’ 
Ganderieas: fc iGiseraa eens o4ee 
re Cecilia, ‘Spanish. School; . Knoedier & 


Cradle of the Hudson, Robert ©, ee a! 
Ls tall SON TO Vince to ecteteree one eS BRT UE 
Boon Eduard Schieioti; Henry 86 

Sc Ultheis vss yess [on telly 2 oe OMe 
Chase; | 

Rudert, “agente vil...) Serene aes re 425 
‘he Faléoners, Goubie; Hollane Galleniés 405 

| Lion Crushing. a Serpent: Bare. bronze; 

George B. Wheeler. 0.4. .oieereee sa oe 760 
Wlephant.: Crushing ass Tiger, Barve { 


bronze; Coane Petits Gallerie pa ead ac OTE 
The. pictures were sold for estates: of 


Clark, H. Victor Newcomb, ‘Peter Haa-| 
singer, and’ heir of late Hdwin: Thorne, | 
| for Stanley P. Gifford, W. 'Beach Day, 
d Messrs. Cordoza & Nathan, at=} 
It will be concluded this Hy eu | 


/ CANVASES BR BRING GOOD. 
PRICES AT PLAZA SALE 


men) “Bridge at Beaulieu,” by. Nor- 


Crushing “a Serpent,” and the Georges 
Petit Galleries, of Paris, paid $675 for} 
{another, “Hlephant Crushing a. Tiger.’’ 


| wegian Artist, Sets Record— | 
| Barye Bronzes Go Well. 


“Bridge. at. Béeaulieu,”, a canvas by 
| Fritz*Theulow,:a Norwegian painter, was 


iat the Hotel Plaza, ‘here Thomas &. 
| Kirby conducted, forthe” ‘American Art 


| Association, the first session ‘of the, saleof 


’)) paintings, bronzes and autograph letters 
i befonging to several .éstates and a well 


\Mrlown private collector.» 
|* The bidding started at $1,000. Tt soon 
|ran up to $2,076, at whieh figure the pict- 


jure was knocked down’ to John Levy, who | 


also paid’ $570 for “Riral Courtship,” by 
i tiaeway Knight, an American artist. It 
lwas from the collection of the late Edwin 
‘irhorne. 

The next highest figure—$1,500+w4s pata | 
by W. W. Seaman, as agent, fora Bax ye 
i} bronze, “Panther Seizing a Stag” 
| Schultheis gaye $850 for ‘‘Thupdefstorm;7 
‘ja canvas by Schieich. ‘Lion Crushing a 
‘| Serpent,” another Barye bronze; was sold 
‘ito George “B# Whegtef for $760/" andre 
| third one, “An DMephant Crushing. a 
Hay iger,’’ went to the Georges Pettit @al- 


\Jeries of Paris for $675. ‘These three were | 
| from the estate’ of - Mrs, Sue Melyure 
Clar k, sa , 


aoe 


Henry | 


FE 


Ae 
a 
a a 


Te Sy and cane 
bos Reo 


ee 


ward Brandeis 
‘- Lesage Hol- 


one 


techn 


te of other’ ae 


see ee 


“ixnoed! 


Rg tuys; EX ao 1,625 
urmer’s eam—Anton Mauve: 
LORE n Ce pis ins Sale yey BHO 
‘ord panel) —itromentin; 
Sis a ele PAL PAE é, 2,400 
1,225; 
1,200 
~! 5,200 
IE EELS GED Pe sae 
ty be) toe ake a OE SRS 550 
t ue See eG ee OR hs 850. 
Bega se Thaulow; P. W. Rouss.. 900 
ortrait of. Marquis de Launay— 
hardin; Silverster, agent...:......-- 500 
, abe izabeth crue 
“Seaman, agent.......... 1,500 
oe eee School; cA 
. amd Child “wpaneb—Jan Van 
: buse; Mdward Brandus ...:...... 1,000, 
River: rque in Beet cian— Ori te ae 
- Wy. WOMANS oe et icra tei etal n iy 
rend Canal, Venice=Welix Ziem: i. 4 a 
phe Approaching Siorm—Jaégues Hol 
Ruste Sesyl Aaealind ches caiery , 150: 
stand Ville—Bolaini: 


abian, ee egeeer 


i i 
NOE sch Gr olin: H.-P.  Bells.. 


ee portrait of Gen. Henry Knox, fe 


| Gilbert Stuart, 
NY the late Pe 
high by 39% i 
‘earried with 
‘closely printe 
‘cation, one whic 
‘mansion, pronase 
going to H, P. Hells. 


f ‘COROT BRI BRINGS $20,000 
> MT THE PLAZA SALE 


Canvas om mn Wee: Sue McClure 
Clark Estate Bought for Paris 
Firm—Total Is $155,135. 


There was some brisk bidding last night 
at the final session of the sale by the 
American Art Association at the Hotel 
Plaza of the fifty-sevenpaintings remain- 
j | ing in the collections from the estates of 
' pe, showing & ao eo aa Victor Newcomb, Péter Hassinger, Edwin 
it aes ee Pa al Thorne, Charles Clark, Sue McClure 

peasan ~~ (Clark and’ others. 
ee to step into a boat !¥-) ne choicest canvases had been re- 
wit, the Soft, feathery foliase; ..-yed for last night’s session, and the 
$6 fills in tne picture at the .ount realized was $136,915, making the 
‘@ lesser cluster of foliage is at total for both evenings $155,135. Pleven 
and in the distance can be) | Wintings sold for more than $5,000 each 
church @pire and buildings Of onq thirty-one for more than $1,000 each. 

The feature of the evening was the sale 
of a Corot for $20,000. It was entitled 
“L’ Arbre Tombé en Travers de la Ri- 
viére,’’ showing one of the poetic land- 
{ seapes of the French countryside, with a 
Se ee ear e3.500 river of cool, translucent depths and 
mPa 6k : Wailachian Convoy. in placid course passing across the land from 
or ar e's . 


Spa began ah alle cane, dims sishicg eters, b, ae ie «19° & 75) 


or was carried | | 
ere saree of 


ares” Net raret' estates 
eid nder. the auspices of | 
rt Association, Thomas | 


was twenty-two inches 
in’ .size, a charming 


ped on the Heath,” a cheractors 
Mauve, beronging to the same 
rousht the second highest price: 

Mi ‘cing to Knoedler & Co., 
er high prices paid by 


\ (the Teft foreground, disappearing beyond) 


||He purchaséd the canvas, Which had be- 


|| Clure Clark, for Messrs. Georges Petitt 


BD ae Poe, names || 


ee in 1888. Thé Knoedlers also gave $0,900 
9|\for ‘‘The Rhone—Suburbs of Beaucaire,”’ 


la wooded point in the right middle dis-. 


| ‘The first bid was $5,000, and it soon ran. 
up .by $500 bids to $15,000. The next bid 
was $20,000, and the picture was knocked 
|\down to Edward Brandeis for that figure, 


longed to the estate of Mrs. Sue Mce- 


& Co., of Paris. It was painted by Corot 
,|\for M, Beugniet. 

The next highest price—$11,200—was paid } 
iby the Knoedlers for a Mauye—“Sheep 
in the Heath’’—which was purchased by | 
Mrs. Clark from Boussod, Valadon & Co. 


‘by Harpignies, which belonged to Stanley } 
P. Gifford and came originally from the | 
Alexander Young collection in London. 
|The Knoedlers also obtained for $5,500) 
“Under the Oak Trees,” by Jacque, and 
they gave the same price for “Horse} 
\Market’ in Algeria,” one of Fromentin’s | 
|canvases. 

Peter W. Rouss was an extensive buy- 
er. For $1,225 he obtained Henner’s 
“Teté Rouge’ and for $1,17 Thaulow’s} 
“River Arque in Autumn.” He gave $975 | 
\for “County Kerry,” by Wyant, showing 
ia low stone hut with a heavy thatched 
‘roof, built high in the mountains. “The 
'Gleaners s,” by Lhermitte, went to Martin 
|Beck for $7,500, and he also obtained a 
|| \Cazin, entitled ‘‘Windmill and Cornfield,” 
for $6,600. 

Another Corot was sold to John C. Tom- 
linson for $5,200. He gave $2,050 for a 
ijcanvas by: Clays entitled “A Calm Day: 


00) |on the Escaut.” 


The paintings sold last evening included: 


j Painting and artist. Buyer. Price, 
‘County Kerry,’’ Wyant; Pr W. Rouss.. $975 
“Sheep in. Winter .Quarters’’ (panel), 
| JACQUE Bi Js “Cornish cro rac aera 600 
“Old Coach .in~ Snow’’ (water color), ‘ 
Marve) Hi (Gla erizersis acini caeectiecsiels, ote 1,625 
‘A Dutch Farmer’s Team,’ Mauve; N. 

PER GOOD oo cs ee ate divans Roe tee ae ee oer aur Bee 8,000 
‘Passing the Ford’’ (panel), Fromentin; 

Knoedler S| COn ais iids soles <ecenkatien eras 2,400 
K"Téte Rouge,’’ Henner; P. W. Rouss.... 1,225 
ie ear Children,’’ Diaz; Knoedler & 

FOO ial ral ota rte e taney atevelie tetany Leap tahrd Ualarel Gar tgs 1,200 
othe Bend of the River;’’ Corot; John 

6. Powmlin sons. £25 <2 ccisshae seceae vases 5,200 
"The Old Oak (La Riviére), Dupré 
twdknoedleryi ke COs sx) erauescicinievarnscheraie ye (pas +++ 5,600 
‘Menton — Cap Martin,’  Harpignies; 
| = Eno edbert:& OO ako: cuspecisstone arena pias eee 1,000 

\ ‘‘Harvester Girl,’’ Ridgway Knight; J. : 
| Sylvester (agent) sida siiteete ou Nien alten 550 
“The Game of Cards’? (panel), Roybet; 

Otto .Bernet (agent)... acc alee aie eme 850 
“The Mill,’’? Th allow: P. W. Rouss...-. 900 
“Portrait of Bernard René Jourdan de 
| Launay,. Marquis de Launay, last 

Governor of the Bustile,’’ Chardin; 

Sylvester’ (agent). .¢. 3. 26k aie: 500 
‘Portrait of -Elizabeth Sueaey "' Fopp- 

ners We Ws Seaman s avec aene sls eae aes 1,500 
“The Honourable Sherson,’’ English 

School: Roi Gly Pier... sear eeeolele s 500 
“Virgin and Child’ (panel),/ Van Ma- 

buse; Hdward Brangus:. ioe. ede sas 1,000 
‘River Arque in’ Autumn,’ Thaulow; 

PS AE ROUSSE oP a als eee eee ee eileen L775 
Wallachian Convoy in Winter,’ 

\| Schreyer; Knoedler ,& Co......... 00.0 3,500 
‘Grand Canal, Venice,’’ Ziem; T. Rob- 

ALUISGIE nk Sials fee ets caclaes-eicadaeae ere eather ae eae 1,200. 
‘The Rhone-—-Suburbs of Beaucaire,’’ 

Harpignies; Knoedler & Co............ 5,900 | 
‘Sheep in the Heath,’’ Mauve; Knoedler | 

BG) CO. a ae sero waa dente oe De Ree 11,200 
\‘L’Arbre tombé en travers de la Rit 
| viére,’’ Corot; Georges Petit & Co.... 20,000) 
\*Windmill and Cornfield,’’ Cazin; Mar— 
fo CLYA GUS OG herr ta wh dig coe iG ee See oe ee Oar 6,600 
“Under the Oak  Trees,’’ Jacque; 
| NBnoed ler Se Oo tiac. steraels cele epee eo eee 5,560 
‘The Noontime Drink,’? Van Marcke; 

1 EO Bis | SO OLIEESTAS ig aeareis.& asaecl hic) ic deine eee ram 5,600 
\"Dhe Gleaners,’’’ Ghermitte; Martin 

1) BOGIe ek os hale Shas tle) et Se 7,500 
eT het Approaching Storm,” Jacque; Hol 

| Mand Galleries ii). 0 ies crane oe tinal 
‘Highway of Combes-la—Viile,’’ Boldini 

Bugene Glaenzer ..... Pe er tee ae 2,100 
\**Wenice—Santa, Maria ‘della Salute,’’ | 

Guardi; Edward Brandus..:.......... S800 | 
‘Lion Looking for Prey,’’ Géréme; Ru 

Mert (ASCENT ewan sees ox a nee uae 3,000 
"A Calm Day on the HEscaut,’” Clays ; 

Fonn C. Tomigeon....... . cemean, TLD OBOE 


i 


pe ee el 


Ce ee 


igcae ee (2314x2834), x 


“4 : Ba Fees, 


ie Gepiema lo a ndteje we ea ewe er ee Net eget pakctict fs 
Ts. Barbudo-Sanchez, “In Honor of His Emin- 
" ence,” (212x334 ce Se OCHialaer spurt ataes jes eee 


|} G._ Jacquet, Whee cee,” (29x2334), - Edward 
IDFAITO TIS + yeptceer a eaten haere Moor eis tia nt 
| F. Thaulow, “Sunset on the River, (255532), 
Holland Gallery Bi aEA eer ses ieeg Gees ae sas\ osiue LoS 
Pee Gazer, After the Review,” (22x34), J. J. 
oe Sowney Sd ey EO. GA ea eee cara aos, EN er 
{English School, “Portrait of Margaret Bryan,” 
ae (30x25), er dhl a SRSUBG Woe aie gee ae ee 
Spanish. —scnool- “St, Cecilia,” ~ (36x2834.);, 
_Knoedler & He et Gee aL 
French-~School, “Louis XIV,” (35x27%), 
‘S/W EE) SNe “Seah 5 Agro eee ce NOTE ee ere 8 
= C Minor, “Cradle of the Hudson,” (26x- 
S005 heeds Sowney Se es cee ee 


COMBINED ART SALE. 
The two days’ sale at the Plaza ballroom, 
Apr. 14 and 15, by the American Art Asso- | 
ciation, the paintings of the old and | 
ols, together with three Barye | 
er of autograph letters ough, Eng.,” (24x36), Holland Gallery..... 
ers and other celebri- | C-. T. Chapman, “Bonhomme Richard and Se- 
= roti ofiS155 135 | rapis, Sept. 23, 1779,” (32x26), Springer. . 
rand total oO ’ +1 E. Schleich, “Thunderstorm,” (184x33), Schul- 
fpiiene meme eIe RUGS © WCC Tothels c. ccde ec cd sev des eset goonies omens se 
f the late Charles Clark | F-_Soulacroix, “Here I Am,” (35x20), D. L. 
PCC CUMIN ne Tatelanarteigteter ety sass llSuene mie ieele: <. exe ee eetele 
rk of St. Louis, H. Vic- | eS Penot, “Rieuse,’ (2814x36), M. Hart...... 
Hassinger, Edwin | L. Doucet, “Five O’Clock Tea,” (24x36%4), A 
tanley P. Gifford and aoe SES eS ae toe Re ee 


Day by Seeder eho eers. Cars aS ee Brook in Early Spring,” (24x- 


: OWS Yi iacs cinjlieles asie's dee genes 
doza and Nathan, attorneys. das oe noe ae oe in a Gale,” (40x- 
| The ballgoom was halt “filled at the first 3 udert (agt.)..........0. yttn estes 
session, MQndaywening, and the bidding |, jhijom, “Bridge at Beauliu” (293674), 
lat times, ts dull. e best price received, | |J..R. Goubie, “The Falconers,” (35x51%4), Hol- 

yasseviven by. an anonymous buyer | land Gallery cus Hey teceriean bo & Om ripen same ae 


bronze, “Panther Seizing a4 Leloir, “La Derniere Gerbe;’? (71x110), J. 


R. W. Van eal cree “Sussex Cottage—Pulbor- | 


by : Benjamin Than for a ” pastel by | = So ue te a 4 275 
Byerett Shinn, “The Red Dress | Gdrsxi8), Geo. i Gene 9 So 760. 
| The list of picture s and other objects,’ Barye “Bronze, “An Elephant Crushing a Ti- | 
(with size, buyers’ nanies- (when obtainable),)) ger,” oe eo Petit Saree aa 23 675 
Ss Barye Bronze anther Seizing a Stag,” - 
|Prices follows: x22), Seaman Cal gs) eee areeet cee teint rales 1,500 
First Session. fei Dy i Rss Hearkening to Venus,” 
| : = nee x12 Fal CoG hac bs he Repentereriars eer MoM cee 30 
ie A. Blakelock, “‘Indian Encampment, eae Marine ith oles, Figvinsonhs de eee 50 
Moca Geo, Bs Wheeler 1. es pee te eee Etching, Portrait and Cntcopan Pe 
—G ae Eperaa ene Storm,” Coa hl War Meissonier, Klacknerm. atueeuicecre ec oe ee 20 
"i ee ENGAGE la 5. a rey rete carer meee : Etching, Poca and. Aatacea beet F. Mil 
'B._E. Fichel, “The Toast,” (12%x10), J. J. 165 let, RW. yamiscenntnces ae oe AGERE SD 50 
Senn 2 6 te Ae Bie pic ei oC 5 || Engraving, Autograph Letter with Portrait Of 
‘t. pees, “Lhe Musician,” (1472x9/A), C. +E. Daubigny, Knoedler & Co........ 0s .. 30 | 
| “Bernet Were TA) be iettaes potest teense +e. 230 Etching, Autograph Letfer with Portrait of J. Py 
|L. _ Bakalowiez, “Cardinal's Pets,” (8/2x10/4) Re Cr Corot. knoedler v&.C Onc 6 Moats ees 160 
H Springer Repoacee) Ape | ie BCE ee gerd 70 7 Bust Portrait Dae sta Thos. Lawrence, ieee sr 
E Be ok Tane: b “Vue d'un Villae,” (834x- 300 | It ler & eras Res ates ic Pyare ee 30; 
| SU es ee OU Ss OR ote Etching Portrait and Autograph of Victor Hu- 
a. ed “Female Head,” (11x82), H. 265 eet sdom Pes Sos Mabe = cee oe ; a glee Rie 455 
ESR AGRSGiLe a oO Re oO ee eee Mipice ucts and Ling Sh ak Canc ieanie. 
fies Chialiva “Contemplation,” (13/4x11), A. |] Rudert (agt:) .-.-.-e- reer en este nee tenes 35. 
4 ee gare Be ies ee j. Bae 9 Portraits of the Empress fosephine, Stee Meade: am 
Es) ‘ompanions, i) lions of Napoleon GELS (Agi iacees ae es 
_ Beraud, ‘*“‘Scene Ave. Alexander I1I— Portraits of Du Barry, E. F. Bonaventure.... 20 
{yo Paris,” (16x11), Kraushaar.......-....+..+- 125 Portrait and State Paper of Queen Elizabeth, 
A. Ségoni, “Drinking Scene,” (11%x1l6y%2), M. g5; | Rudert (agt.) 0.06... cee cee eneseteee eee 35. 
CEE acai fa Eady? Gbid); Lan 2 pie ee 
PE TF aso aaveeinle hoz nia eihse ni eie elena + ie | e { 
Unk, “Harbor View,” (11x18), view. 40 | The attendance at the second session, 
5 @ Ainor, “Approach ‘of Evening, (124x- | |while not much larger than the first night, 
Meet). Gb, Ainslies. o.oo. enter eee ne 210) | probably due to he inclement weather, . 
& Innes, Jr., “Salting the Sheep,” (18x14), | | showed more enthusiasm. The first canvas | ‘ 
ORT ER teen ergo ais Ge at we too ev 2 0 Geet ae ears b e fod. bidding ae Macs 
“Summer Time,” (15x19), Bernet to ring spiri e 
ee aie Se alee soe te aioe. 6: eerie a, M Sastvevee) eats ale 460 “Sheep in the Heath. ” This was started 
De Metz, “Perplexed Musician,” (1454x18), 3s! | with a bid of $2,000 and was finally | 
oo = ene re Cn eee : 
ee cine Ready for Dinner,” |{knocked down to Mr. Knoedler, for his 
CL9x1S); Lanthier PO oe ea oe ka sla cand hens 160 bid of Sieh 200. Again came spirited bidding 
P. ‘Cachoud, * ea au Clair de Lune,” 70 || when the silvery Corot, “T?Arbre Tombe en 
(14x20%), Holland .........-. wpettnete ses T Tavs e” was Hext put up and 
, “A Good Story,” (21x15%4), ravers 
e enna ek cut WT ca eee beac pettee ees 260!) which went for $20,000 to Mr. Edward 
G. S89 oe “On, the Beach,” (14x20),  ,. || Brandus who was bidding for the pcorges 
TOURS Gualele cf ileier divs atetaysjers ies ie oi leus re) 5 4 
e Shinn ened Wye? (18x22), -Mrs. Benj. é ieee Pee eat Ben tes eee. | 
ae oe oY a eee ee eee a Oo wan he 
is i Boated,” “Moonlight,” (18x22), 1. Fried- g5_|by Gilbert Stuart, which was sold to Mr. T. 
REIT slapd poise cote eres tov e+ Wise es oie sls Cats or PS) Ellis for $2 500—the age dis teen miverest- 
. at Pool,” (24x18), M. Tan- : 
ee : ee ; a ihe . Pa tiste tak te theta 95 ing item ata was. Sorolla’s ‘Child on 
'A. Casanova Y Estorach, “Anticipation,” (22x- eo Reach,” which went to Mr. H. P. Eells for 
ee) Fi endo OE Gee eae 325:-|9 - 
Bee cree Knitting Lesson,” (22x17%4), $1,450. This is the first Sorolla ever sold 
eee cs sade t ete wire apes oe aes at auction in America. 
0s eousucont The Spy,” (18x24), M. Hart 23 “ 
cen Plowing (15%x27), Schul- 350 | fy eee ae NA 
; mE oh aaa thine erp esas vans re win. he) RIN #16 tee lene air 9 IU : . Gou ie, “End .o 1e Ride, x A 
dg Ranger, “Tandscape, ” (18x25%4), Ss: Ro- 450 Lip. ae a hide EE ba a ilage 9 ue ‘(6x75 5 7 : 7 20 
Picea. fiw oalrin ects anc ¥ aldol. ee ies Denes 5¢ chmid e Armorer, “7), J. Je 
“In Westchester Co, N. Y., WMO EY owls uray tace aelc cleat > s ene e deen 120 
/& Gaieses). ie a Somney pugs siege aaa vs), 120 | |G. Inness, “Sunshine and Shadow,” (12%x15), au 
} cht, ‘Rural Courtship,” (26x21), Sir GIA Tee st ee Wictihe soln oo» pieleaisteaes 3 
ig: oN Beek oh es Sis stalveaipese 570 | 1A, i Wyant, “County Kerry,” (12x20), P. £ \ 
GO HL McCord, “Lighthouse—Moonlight,” (20x- 3 ee aaa ee 975 | 


- SS, | | oo ee) Le 1 


yee eas 


"isis, 
essere. , 3,000) 


ae wee ee 


y 12 oa 


see ew ee 


see es 


), Virgin’ and Chita, es 


eee eee eee 
ee ee 
ee ee ed 
CRC CeCe Le cmtnt ty thames 
eer 


; oro Ee CO tenes a's 
on the Heath,’ * (18x31%), 


he Pathe Tombe en Travers } <a 
? (20x32), Geo. Petit Galerie 20,000 , . (ae 


Waal 
geo oe Aon ea eee 6,600 | = 
a again 5,500 | 
| a Saas 5,600 | 
Se aclosS CReRCRCPCCE SORT eae ar 7,500 ; 
Sis CHES Ad En aa 2,150 
piptaiate ekecsrsven tines 2,100 
snk ag RPI eee ee el ae 250 
ees 2S ats Maria Della Sal- 
¥4x4114), Edward Brandus....... 800 
e, “Lion Lookiug for Prey,” (241%4- 
Radert (Dee Reedy Sertao ae ee eerie tare ~ 3,000 J 
ys, “Calm Day on the Escaut,” (30x- 
Ton Gee AMS OW Soop: siete vie pact Grete wie 2,050 
“Arab Cavaliers—Chief’s Staff,” 
° 40), “Holland (CATE TY: Bereta tater orale a haw 4,000 
, Bock, “Sunset—Cattle by Pool,” (29%4- 
AMEURUULLCALY slot tivielate alas «sche acolo 2,100 
“Howe, “Landscape and Cattle,” (34x- 
Tuy (Eli ae ac eae ae eee 975. 
r, “Arabian Horsemen,” (34x46%4), 
‘oe TEST Beh a 6,100 
erage on Beach, ” (32Y%x50%), are 
2h. ee ee er ei 4 
Bouguereai “Song of the Shell—Nude,” | 
Poo MUR MELEE Vita. owt ore thsiols o/Sies, 5 cvehd) oct 3,200 | 
Fromentin, ‘‘Horse Market in eae | 
"(4034x58%4), Mmocdier & Copies icitte as 5,500 ! 
6 aor “Gen. Henry Knox,” CEA } 
PP ne ears sie icl'e, § anerttnsn swe ele oe wiarmsuct 2,500 | : 
Rew Stelehic.s 150 
Mea Peer Sa COMPRA ee PEP GE 300 
Grand totale... 0% ut apa bee nes $155,135 


a eae 


. eee SAL. OF 
Pie | VALUABLE PAINTINGS 
| Team. BY DISTINGUISHED MASTURS OF 
—— . THE BARBIZ0N, CONTEMPONANHOUS AND 

3 AMERICAN SCHOOLS 
| AT ‘Nit HOTEL PLAZA, APRIL 14TH & 15¢H, 
. ine 19 130 Sis saint 

i Farce.  HUYER. 


Rulph A. Blakelock } 45. 
Georges liichel 65. 
Benjamin Bugene Fichel 165, 
Thure Cederstrom 230. 
Ladislaus Bakalowics 10. 
" Hwilie Sanchoz-Perrier 300. 
Jean Jacques Henner 265. 
Luigi Chialiva 95. 
Luis Jimenez 40. 
“Jean Beraud 125. 
&. Segond 95. 
Unknown 15. 
Unknown 40 
Hobert 0. Minor AU» 
Yeorge Innesa 60. 
William hart 4606 
L'imfant De Metz 35. 
¥,. Schleingor L60. 
¥. Cachoud 100 
Shure Cederstrom OQ) « 
George H. McCord 35« 
Bveret Shinn 35. 
Jonge He Boston 85. 
Arthur Parton MO LS. ® gM 


‘ei Casanova Y ilstoruch 325. 


ee Yon Bergen cn B00. 


stipe : ae anti By " nN P 
| poningo-timos fe 
* ; %. Pe } é { cae i , eee ‘ . ah : 


ad ah ati A AE i, ae ocean Nien 
ik * Ladwig Hartmann, | : 350. 
a Henry W. Ranger | 450. 


a Oe 


George B. Wheeler 
I. Freidenheit 
John J. Souney 
Jom ¥. Harris 

My. Springer 

Moses Tanenbaum 

He Henderson 

Mrs. Ge Mol... Clark 
J. Noonan 

to We Kreushaar 

Ke Hart 

He Lanthier 

Je Js Thompson 
Geo. H.e Ainslie 
Henry Schultheis 
Dr. GO. Gs Fe Williams 
H. Victor Newcomb 
H. Lanthier 
Holland Galleries 
Jonathan Thorne 
Dr. A. He Fridenberg 
Mrs. Benj. Thaw 

I. Friodenheit 

M. Tanenbaum 

J. F. Harris 


H. Lanthier 


ae Hart 


fl. Schultheis 
8. Ro sendale 


John J. Souney 


mnadite 


YOR Tee. 


“a3: Hin re 


ringemo tS 
pa ae, 


a tee 2 = 
BA th. 


| rath 
“orcad 6d ides 


Py... en 
4 ~ : 
Busest oo 


+ 


* 


gfe off rants 


. 


bisariead . 


Wa Wattioaux 


ARTIST. 


Daniel Ridgway Knight 


George He ReCGord 
William Rit¢schel 


Francesco Vinea 


Salvador Barbudo-Sanchez 


Gustave Jacquet 
Fritz Thaulow 
P. Jazet 
English School 
Spanish School 
French School 
Robert CG. Minor 


Hebert W. Yan Loskerck 


Carleton f. Chapman 
Rduard Schleich 
¥. Soulacroix 


Ae Penot 


Lucien Doucet 


Hugh Bolton Jones 
Harry Chase 

¥ritz Thaulow 

Jean Kichard Goubie 
Maurice Leloir 2 
School of Ribera 


Antoine Louis Barye 


dn Elephant Crushing « Tiger 


Millet 


Daubis guy ra 


Corot 


110. 


40. 


1,500. 


April i4th & A5th. Page 2. 
8 S70. 


BUNER . 

John Levy | 
Se J. Kane 
Churies Ikle 

De G. Getzen-Danner 
S. Schulte 

Edw. Brandus 
Holiand Galleries 
John J. Souney 
Robert ¥. Phifer 
HM. Knoedier & Co. 
Mir. Spranger 

Jom J. Souney 
Hollend Galleries 
My. Springer 
Henry Behultheis 
D. L« Friedman 

Me. Hast 

Mrs. C. McL. Clark 
Jolin J. Souney 
Hys. 0. MeL. Clark 
soln Levy 

Holland Galleries 
ds Le Given 

5. Schwart2 
George A. Hear 


Georges Petit Galleries 


Russell Palmer 


D. L. Friedman 
H. Le Higginson 
CG. Klachnier 

Aw We. Evarts 

Ms. Knoedler & Co. 


H. Knoedler & Co. 


~ en, ee ia 
‘ ie - 


eee en ee 


a 3 sagndeeg? at Be seat 

ae a ggomaed ols eatol mad ES 

| _asse zeny bamtiol 868 

+) agadnas one | Ress 
ahah ttod yet aNhe ' 


reretioe ce i wil ofl * ots 


te Ae Pe ey 
sald 


cA 


4 ee =) - 
Piatt MRO 
‘oh 6 fe Pye Uy a | » 2% 


2 Rew « A be “i? 
=% nf? wae! oU a8 tif OES 


a B iyi oP! 
a pele Peeks : by * 


Worsrogd wh stiel «> .oee 


Site 


“ae ‘ Ww oy 

& F tbh 

eo th * vse ‘ 
Piel) . i 2D sel Br ob 


“RF rz ra ’ 
otto l fg Saariet wl 
‘ “ 
i rk & 


ney) s#e wu “a 
ediawtst 12 at 
P y ‘ 


! 


ae ee - Oe TR et oe 
: ‘ rie 


os 


re < 


eee 
3° , 
~ 
aA a> 


+ 


¥ Fe 


rd 
Ps 


x & 
— > 


“i 
-_ 


ae 
2 
, 7, 

, 


ha a 
( 
| 99. 
oO 
| a 
4s 
12 
88 
| 86 
4 
88 


CREEL? st: 


Jean Richard Goubie 
Mdward Allan Schmidt 
Georges Inness 
dyent 

Minor 

Murphy 

Pokitonew | 

Creuse 

De La Pens 

Fortuny Y Carbo 
Jacque 

MAUVE 

Trouillebert 

Mauve 

Fromentin 

tenner 

De La Pena 

Corot 


Dupre 


Harpignics 
Knight 
|  Roybet 
a Phaulow 


PGR. 


% 30. 


45. 


120. 
350. 
975. 
285. 
47S. 
2O0s 
158. 
nade 
375. 
600. 
1,625. 
90. 
3,000. 
2p h000 
14 2a5-6 
1,200.6 
5,200. 
5,600. 
1,000. 
BOO. 


i ot ne ee twat el Plaga, April lath & 15th. Page 3. 
DEORE decerccmenenendl 
% 


Il. Knoedlier & Go. | 
Mrs. Ga A. Wood 
BH. ¥. Bonaventure 


He Ve. Howconb 


“He Ve Roweomb 


E. ¥. Eonaventure 
H.» Ve. Newsomb 

B. Fs Alber 

Jom J. Souney 
Ry. Singer 

P. W. Reuse 
Moses Tanenbaum 
Henry Schuitheie 
M. Tanenbaum 


Mrs. O. Mol. Clark 


PP. W. Rouse 


Ha Le. Auster 
BE. J. Commish 
Kugene Claenzer 


Aw Aw Yiealy 


li. Rnoediler & Co. 

FR #. Rouse 

iw Knoedler & Coe 

Jehn C. Torlinson 
. Knoedier & Co. 

li. Kneedior & Ode 

Mr. fhylvester 


John 7. Harris 


P. Ys Rouss 


John Js Souney 
Henry Schultheis 
Edw. Brandus 


cates 4 4 
i PEE bee 


eke . 
<e WA 12 at 
3 bab Y ss Pot ‘ noes ; 


sates) at oa 


P< is i st ‘ ee - pe) 2s 


TH 25 ty sme 


v ar 
. o 3 , é joe ; 
5 teiboonht .2 


agave. Si 


, “s 
, ret 
* ty 


spe 


tat pay 
Pow ¥ = 


ster 2 


+08 gf 


REIS 2. 
| Atri. to Ghirlandajo _ § 260. Mr. Sylvester 
Ghardin 500. «= i". Sylvester 
Heppner 1,500. HN. Le Amster 
Inglish School S00. Robert F. Phifer 
Van Mabuse 1,000. Hdw. Brandus 
Thaulow 1,175. Ps. W. Rouas 
Schreyer 3,900. Ms Knoedler & Co. 
ZL er 1,200. 7. Rebinson 
Harpignies 5,000. M. Knosdler & Co. 
Vauve 11,200, UU. Knoedler & Co. 
Come 20,000.  Georces Petit Galleries 
Gagan | | 6,600. urtin Beck : | 
Jneque 5,500. 4. Enoedier & Cos | 
Van Harcke | 5,600. 8B. J, Comish : 
Lhermitte  M,500. Martin Beck 
ie Jacque 24180. Holland Galleries 
f 114 Boldini , 2,100. Eugene Glagnzer 
> De Sylva Y Velasquez 250. Mr. Sylvester 
. 116 Cayardh 800. Edw. Brandus 
u17- dervone 3,000. Mrs. C. MeL. Clark 
. 138 ; Clays 2,050. John C. Torlinson 
| 119 Schreyer 4,000. Holland Galleries 
: 120 he Book MyghOQe 8 Aw Aw Healy 
Nowe 975. My Hart 
Senreyor 6,200. Holland dalileries “7% 
sorolla Y Bastida 1,450. H. P. Relies 
_Bonguereay Sail: 3,200. De G. Dery 
| Fromentin — a Pian abr cigar 3 FS, Ma Knoedler & Co. | 
Stuart | VR 6000) Fy BITis 
Yrench School xvIL k beater 480. Edw. Brandus 


aes ones 800. Edw, Brandus 


toed attra! — .0OR,2. 
ODS Telboort ali Utd yt 


Wogmes engl OLS 
Tateer (eh oti 
Ostet? .whet 


drafty ola 4h) eel 


a. ae coo a 
oe ee ee Meroe): SEAM Tong Mi 
Py | 


yl La DK OOK 8 i 7 
i es ae ae % % Ptng / cae 


| eel Pa Behe 6 hoa wad ait § te 


ee = 
Oak 


> - ux 
a etd 


ON FREE VIEW 


AT THE AMERICAN ART GALLERIES 
“MADISON SQUARE SOUTH, NEW YORK 


FROM WEDNESDAY, APRIL 91TH 
UNTIL THE MORNING OF THE DATE OF SALE, INCLUSIVE 


A VERY IMPORTANT COLLECTION 


OF 


VALUABLE PAINTINGS 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


IN THE GRAND BALLROOM OF THE PLAZA 


Firru Avenug, 58TH To 59TH STREETS 


ON MONDAY AND TUESDAY EVENINGS 
APRIL 147TH AND 157TH 


AT 8.30 O°CLOCK 


"és 


Sek 


rin 
an Yi 


we 


ILLUSTRATED CATALOGUE 


OF 


VALUABLE PAINTINGS 


BY DISTINGUISHED MASTERS OF THE BAR- 
BIZON, CONTEMPORANEOUS AND 
AMERICAN SCHOOLS 


TOGETHER WITH 
SEVERAL BARYE BRONZES 


AND A NUMBER OF 


AUTOGRAPH LETTERS OF THE BARBIZON PAINTERS AND 
OTHER CELEBRITIES 


BELONGING TO 
SEVERAL ESTATES AND A WELL-KNOWN PRIVATE COLLECTOR 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
ON THE EVENINGS HEREIN STATED 


IN THE GRAND BALLROOM OF 


THE PLAZA 


THE SALE WILL BE CONDUCTED BY 


MR. THOMAS E. KIRBY 
OF 


THe AMERICAN ART ASSOCIATION, MANAGERS 
MADISON SQUARE SOUTH 
NEW YORK 
1913 


CATALOGUE Prepared and 


ting and Binding by Tue - 


im 


Pr 


Photographs by LawRENcE X. ( 


‘2 


Ni 


tones by the WaLKEer E 


If 


Ha 


CONDITIONS OF SALE 


1. The highest bidder to be the Buyer, and if any dispute arises 
between two or more Bidders, the Lot so in dispute shall be immediately 
put up again and re-sold. 

2. he Auctioneer reserves the right to reject any bid which is 
merely a nominal or fractional advance, and therefore, in his judgment, 
likely to affect the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to pay 
down a cash deposit, or the whole of the Purchase-money, if required, 
in default of which the Lot or Lots so purchased to be immediately put 
up again and re-sold. 

4. The Lots to be taken cway at the Buyer’s Expense and Risk 
within twenty-four hours from the conclusion of the Sale, unless other- 
wise specified by the Auctioneer or Managers previous to or at the time 
of Sale, and the remainder of the Purchase-money to be absolutely paid, 
or otherwise settled for to the satisfaction of the Auctioneer, on or 
before delivery; in default of which the undersigned will not hold them- 
selves responsible if the lots be lost, stelen, damaged, or destroyed, but 
they will be left at the sole risk of the purchaser. 

5. While the undersigned will not hold themselves responsible for 
the correctness of the description, genuineness, or authenticity of, or 
any fault or defect in, any Lot, and make no Warranty whatever, they 
will, upon receiving previous to date of Sale trustworthy expert opinion 
in writing that any Painting)or other Work of Art is not what it is rep- 
resented to be, use every effort on their part to furnish proof to the 
contrary ; failing in which, the object or objects in question will be sold 
subject to the declaration of the aforesaid expert, he being lable to the 
Owner or Owners thereof for damage or injury occasioned thereby. 

6. To prevent inaccuracy in delivery and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be removed 
during the Sale. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited; all Lots wncleared within 


one day from conclusion of Sale (unless otherwise specified as above) 


shall be re-sold by public or private sale, without further notice, and the 
deficiency (if any) attending such re-sale shall be made good by the de- 
faulter at this Sale, together with all charges attending the same. This 
Condition is without prejudice to the right of the Auctioneer to enforce 
the contract made at this Sale, without such re-sale, if he thinks fit. 

8. The Undersigned are in no manner connected with the busi- 
ness of the cartage or packing and shipping of purchases, and although 
they will afford to purchasers every facility for employing careful 
carriers and packers, they will not hold themselves responsible for the 
acts and charges of the parties engaged for such services. 


Tue AMERICAN ART ASSOCIATION, Manacers. 
THOMAS E. KIRBY, AvcTIonEER. 


FIRST EVENING’S SALE 
MONDAY, APRIL 14, 1913 
IN THE GRAND BALLROOM OF THE PLAZA 
FirtH AVENUE, 58TH TO 59TH STREETS 


BEGINNING AT 8.30 O'CLOCK 


' 


SPECIAL NOTICE 


THIS SALE IS MADE FOR ACCOUNT OF THE FOLLOWING 
ESTATES, ATTORNEYS AND INDIVIDUALS 


ESTATES OF THE LATE CHARLES CLARK AND SUE MCLURE 
CLARK, MISSISSIPPI VALLEY TRUST COMPANY OF ST. LOUIS, 
EXECUTORS 


Estate OF THE Late H. Vicrorn NEWCOMB 
ESTATE OF THE LATE PETER HASSINGER 
Herr OF THE Late Epwin THORNE 
STANLEY P. Girrorp, Esa. 

W. Beacy Day, Esa. 


Messrs. CarpDozA & NATHAN, ATTORNEYS 


No. 1 


RALPH A. BLAKELOCK 
AMERICAN 184'7— 


INDIAN ENCAMPMENT 
(Panel) 


Height, 216 cea length, 2, aie 


ae ne 
wee Ue Leon 


F1ve Indian tepees are grouped near thee center of the picture, 
on a broad plain. At the right some clothes are hanging on a 
line near one of the huts, and scattered about the camp are 
seen various figures, standing and seated on the ground. In 
the distance are mountains with irregular peaks. 


Signed at the lower left, R. A. B., in black, 
and at the lower right, R. A. BuaKe ocx, 
in red. 

Se 


Owner, Estate of the late H. Vicror Newcoms. 


No. 2 


GEORGES MICHEL 
Frencu 1763—1843 


THE APPROACHING STORM 


(Panel) 


< linet ear 
AN extensive landscape is pictured, with two round- -topped 
hills forming the skyline in the far distance. The land in the 
central part of the picture is dark under the shadow of a thick 
storm-cloud, as is the immediate foreground, while the sun- 
shine strikes down between the shadows, illumining a meander- 
ing river and a village on its bank toward the right. The 
village is a group of low buildings with picturesque roofs, 
largely surrounded by trees, and before it the Jand projects in 
long, irregular, low, flat points out into the river. ‘To the 
left a boat with figures in it appears in the stream, in the 
light, and in the cloud-shadow of ‘the central foreground a 
group of figures are seen on a low hummock of the shore, 
some of them in silhouette against the light beyond them: 


/ Bens Height, 91% inches; length, rey: a 
wo) 


From the private collection of the late Evwin THorne. 


No. 8 


BENJAMIN EUGENE FICHEL 
| Frencu 1826—1895 IC ‘A 
THE TOAST oe pe 


Height, 121% inches; width, 10 inches MA 

/66= be Dpanrty 
A Group of gentlemen are refreshing themselves in a tavern, / 
four of them seated about a table, smoking and drinking, and 
listening to one of their number who has risen and with his 
hand on the wine pitcher is delivering an address leading up 

to his toast. The speaker is in black, his companions in 
gray, green, red and maroon. On the right a serving maid 
fetches up a fresh pitcher of cheer, and back of her the drawers 

are busy at huge casks which appear in a shadowed corner 

of the room. In the background at the left a buxom housewife 

in white cap and short skirts is conversing with an elderly man 

in cocked hat and blue coat. All the figures are in a strong 
light against the gray and reddish-brown walls. 


| j 


Signed at the lower left, HK. Ficner, 1858. 


From the private collection of the late Kywin THORNE. 


& ow, 
iL 


\ : ' No. 4 


\ THURE CEDERSTROM 
SwepisH 1843— j 


THE MUSICIAN 
(Panel) 


a3 Height, 141% inches; width, 9Y, inches 2 a 
eee ARS Sd “Hoahrsy | 
In the interior of a white walled room, with great doors elabo- 
rately ornamented in wrought ironwork, a stout monk of florid’ 
features is seated on a carved-wood chest, playing the pipes. 
He is in a brown habit, with a white rope girdle, and a bunch 
of large keys rests beside him on the chest, whose -carving is 
in religious motives. He faces the right, three-quarters front, 
his face in full light against the white plastered wall, and his 
cheeks puffed out as he blows into the bag, his fingers at the 
keys of the long, brown, wood pipes. 


Signed at the upper left, Tu. Ceperstrom, Mincuen. 


Go JO From the private collection of the late Eywix Tuorne. 


Shee Mlaoufer, Mmih Fel. § 25 oy. V4 ait i109 BAS 


No. 5 - 


| LADISLAUS BAKALOWICZ 


Po.utsH 


rs 
t™ 


THE CARDINALS PETS 
(Panel) . 


w/e ve Height, 81% inches; length, ee inches Ly 
fF “VA? IRAANCG 
A. CARDINAL in his: gorgeous robes, with gray hair, slight mus- * 
tache and goatee, is seated in a richly furnished and deco- \ 
rated interior, his feet resting on a velvet cushion, facing the 
spectator and watching with interest two small kittens on his 
lap, with which he is playing. One is on its back, clawing 
playfully at his fingers; the other crawls up his chest to grab 
at a feather which a young lady in a white satin décolleté gown 
who leans over the cardinal’s chair holds out toward it. On 
the other side of the cardinal an older woman in a similar 


rich gown is partly seated on a table. 


Signed at the lower left, BAxaLowicz, Parts. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


No. 6 


EMILIO SANCHEZ-PERRIER 
SPANISH —1907 


a oe Oe VU DENEVE EAGh ow 


(Panel) 


4) ee Height, 834 inches; length, 1024 inches ro i 
3 0 6) a me ae; : f 
r ia Sale? <$~$hLp wv f iA 

A cLEAR and placid river flows across the picture, forming 
the foreground, and reflecting the clear blue sky in which a 
few white clouds float and the soft green of the stream’s high, 
grassy bank. Beyond a mass of low trees and bushes of thick 
foliage are seen the white walls and flat, red-tile roofs of 
Spanish houses, glistening in the brilliant southern sunshine, 
and toward the right appears part of a stone garden wall. 
On the river, near the bank, are two men in a rowboat. ‘The 
white walls of the houses are marked by the shadows of the 
projecting roofs. 

Signed at the lower left, E. Sancuez-Prrrier. 


Purchased from C. W. Kraushaar. 


Owner, STANLEY P. Grrrorp, Esa. 


No. 7 


JEAN JACQUES HENNER 
Frencu 1829—1905 


FEMALE HEAD 


Q % eal) Height, 11 inches; width, 81% inches ‘ 
é Ny) ¥, y 


lo. 4\o errs eh gO Open 
Heap and bust of a 
young woman of 
full figure, three- 
(Uist tells ex TOnt 
toward the left, her 
face turned squarely 
toward the spectator, 
at whom she looks 
steadily with deep- 
set, large dark eyes. 
Her rich brown hair, 
verging upon red, 
falls down over her 
shoulders, and is so 
thick over the fore- 
head as to throw the 
eyes into partial 
shadow, while the 
light strikes full 
upon her pale face and white, exposed bosom. Her waist is 
a dark brick-red, with a bow of the same hue in front. ‘The 
background is dark. 


Signed at the upper right, J. J. HENNER. 


Owner, Estate of the late H. Vicror Newcoms. 


wae Foal 


No. 8 


LUIGI CHIALIVA 
Trauian 1842— 


CONTEMPLATION 


Height, 131% inches; width, 11 inches? 


Vhrar- (9- Vy re xe 

A. YOUNG peasant woman 
with a mass of red-brown 
hair is seated on a yellow- 
ish-green bank or low 
mound in the sunshine. 
She faces the right and is 
seen in profile. She rests 
her right elbow on her 
knee and with her right 
hand supports her face, 
which leans forward and 
toward it, the sun strik- 
ing her face full in front 
and throwing the nearer 
right cheek into trans- 
parent shadow. She has 
a dull-brown skirt, old- 


blue waist, and wears a bright red kerchief in her hair, and 
sabots, and she seems lost in contemplation over a dark, sug- 


gested sea. 


Signed at the lower left, L. Cutativa, 1889. 


Purchased direct from the artist. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


No. 9 


LUIS JIMENEZ 


SPANISH 1845— Pts 
COMPANIONS ~— Lf te 
(Panel) 


ne Height, 15 inches; width, 10 inches 

ca6 rec | Pr Vga ta 
A. BLOND and bare-footed young girl has caught up her pink- 
ish-white spotted skirt to hold a bundle of green sprigs which 
she has gathered, revealing her white petticoat against the 
green grass through which she is walking. About her shoul- 
ders and crossed on her breast is a red figured scarf which 
makes a bright note against the thick green woods that form 
the background. By her side walks her pet goat, nibbling at 
the fresh green leaves which she is carrying. 


Signed at the lower left, Luts Jimenez, Paris, 1890. 


Owner, Estate of the late H. Vicror Newcoms. 


~ PARIS 


No. 10 


JEAN BERAUD 
Frencu 1849— 


SCENE IN THE AVENUE ALEXANDEE III, 


(Panel) 


Height, 16 inches; width, 11 inches 
UA 5 sl | 


Vr J@ngcea Ae ih 
Ir is a breezy day in the gay capital. Pedestrians and cab 
drivers cling to their hats, and the playful breezes have taken 
liberties with the skirts of a chic Parisienne, bien jambée, in 
the foreground. She is out for a promenade and is clad in 
black, with a plumed hat and a long black feather boa, her 
waist adorned in pink and the color reappearing in- the edges 
of the exposed underskirt. A number of persons are seen 
beyond her in the spacious reaches of the handsome avenue, 
and two cabs in the roadway, while across the street appears 
the Palais des Beaux-Arts and a mass of green trees. Broad 
clouds spread out in the bright gray sky. 


Signed at the lower left, Jean BERAvD. 


Purchased from C. W. Kraushaar. 


Owner, STANLEY P. Grrrorp, Esa. 


No. Il 


A. SEGONI 


ITALIAN 


A DRINKING SCENE 


Height, 111% inches; ee 1614 jnches 

/e ae BEE OL OK 
AGAINST the wall of an inn cellar an Pebriated young man in 
mahogany-brown breeches and white stockings, a buff jerkin 
and old-rose slashed sleeves, leans back in his chair and with 
one arm stretched along the counter or wall-table grips in 
his hand his overturned wine bottle, whose contents is trickling 
to the floor. His broad-brimmed gray slouch hat has a red 
feather, his eyes are dull and his lips are parted in a maudlin 
smile. ‘The aged inn-keeper, in white apron, has come over 
to see what has happened, and stands leaning toward him at 
the end of the table. 


Signed at the lower right, A. SEGoNI, FLORENCE. 


Owner, Estate of the late H. Vicror Newcoms. 


Nos 2 


UNKNOWN 


PORTRAIT OF A LADY 


(Panel) 


Height, 16 inches; width, 12 inches Y 

“5- Nane® 
A youne Dutch lady is portrayed at three-quarter length, 
seated, turned toward the left but seen almost in full face. 
She is gowned in black and sits in a red-leather upholstered 
chair against an olive-brown background. Her hair is bound 
in the formal, helmet-like headdress of the period—seven- 
teenth century; she wears elaborate pearl earrings, a very 
steeply sloping white collar reaching below her shoulders, and 
white, turned-back cuffs. She holds on her lap a work-box 
and a pair of white gloves. | 


ay - 6c 
—_—_ 


In the upper left corner: “Aetat 30, 1663.” 


Owner, Estate of the late H. Vicror Newcoms. 


No. 138 


UNKNOWN 
HARBOR VIEW “yO 


ce Height, 11 inches; length, 18 inches ey 

ee 4, ae AL fit 
From the left two jetties project into the séa, and at the fight 
a bark under shortened sail is heading for the harbor en- 
trance between them. A well-manned shore-boat is putting 
out toward her, through choppy water whose crests glisten 
white in the sunshine, which falls also upon distant sails and 
a distant white cliff of the coast beyond the jetties. In the left 
foreground, within the basin of the nearer jetty, are various 
craft, some with their sails up and people aboard. ‘There is 
plenty of breeze and the sky is alive with active gray-white 
clouds. 


Owner, Estate of the late H. Vicror Newcoms. 


No. 14 


ROBERT C. MINOR, N.A. 
American 1840—1904 


\ LANDSCAPE—APPROACH OF EVENING = 
m Height, 121% inches; length, 1644 inghes 2 
Be te, He Qe ee 
A HILLSIDE slopes gently down from the left to a meadow 
where the grass is deep, and occasicual low bush growths 
appear. It is darkening toward the close of day, and the 
figures of two countrywomen coming across the meadow home- 
ward are seen dimly in the gloaming, one with a touch of red 
in her costume. Along the horizon the white clouds are turned 
to pink by the sunset, which tinges also the clouds floating 
through the blue sky aloft. On the left of the foreground a 
small tree raises its foliage out of the picture, a small grove 
appears beyond it, and near the center and toward the right 
two detached trees are silhouetted against the sky. 


Signed at the lower right, Minor. 
Purchased from Homer Lea. | ee 


Owner, STANLEY P. Girrorp, Esa. 


No. 15 


GEORGE INNESS, JR. 
AMERICAN 1854— 


SALTING THE SHEEP LU 


(Panel) 


o nee Secees Height, 18 eres Ws 14 mches 
Tr is late in the he the foreground and the Middie ee 


on the left are already in shadow, while the sunlight touches 
the green fields with yellow toward the central distance and 
the right, and tinges the horizon clouds with purple. In the 
immediate foreground, sheep, whose fleece is a grayish-brown 
in the half-light, are flocking to a trough where a robust 
farmer, bending over it from the right, is distributing salt from 
a large measure. 

Signed at the lower left, INNEss, JR. 


‘Owner, Estate of the late H. Vicror NEewcoms. 


No. 16 4 


WILLIAM HART, N.A. : 
American 1858—1894 ' a 
SUMMER-TIME > 


Height, 15 inches; length, 19 Vp inchg, : 4 


Unper a sky full of gray and white clouds, with the blue 
showing in patches between, an American rural landscape 
is depicted, well wooded, and varied with sunshine and shadow. 
In the distance are hills, and in the middle distance among 
trees and pasture lands some cattle are seen grazing on the 
farther side of a smooth river which comes into the foreground. 
On the nearer side, in the immediate foreground, a line of 
five cows are coming down to the stream to drink. ‘The fore- 
most, a red cow, has entered the water, and immediately behind 
her a white cow with red spots appears in the sunshine, and the 
others follow, coming out of a grove which borders the water. 


Signed at the lower left, Ww». Hart, 1887. 


From the private collection of the late Eywiy TuHorne. 


No. 17 
L’ENFANT DE METZ 


FRENCH Fas 
: reat | oe 
THE PERPLEXED MUSICIAN 
(Panel) 
ae Height, 1434 inches; length, 18 inches 
Maar neler Mere 


A youtH in buff-brown garb, with rose-pink waistcoat and 
green stockings, is seated facing the right, three-quarters 
front, between two young girls. On the left, in gray skirt 
and blue-green waist, one with light brown hair kneels behind 
him and rests her right hand and chin on his right shoulder, 
peeping over it with a whimsical smile. On the other side 
of him her darker sister, in soberer colors, sits resting her 
elbow back of his left arm and with her head on her hand 
looks up also with a joking smile toward him. The lad him- 
self, his pipes under his arm and fingers on the stops, looks 
abstractedly down as though in a daze, or wondering which 
of his charmers to suit. 


Signed at the lower left, L?>ENrant DE Merz. 


Owner, Estate of the late H. Vicror NEwcoms. 


40 
jt 


No. 18 


F. SCHLEINGE 


GERMAN 


ae 


GETTING READY FOR DINNER 


Height, 19 inches; width, 19 


Lo Gam Ho- 


inch 3 
2 ae 
A SMALL Yor OL 


sturdy Saxon ap- 
pearance, St, Oullatt, 
florid, with flaxen 
hair, has trudged 
home with things for 
dinner. In his right 
hand he holds a 
bunch of radishes; a 
string of fat saus- 
ages is slung over 
his left shoulder; and 
pressed against this 
shoulder he clasps a 
loaf of bread half as 
large as himself, as 
he struggles along 
toward the left—fol- 
lowed by his dog, 


who sniffs at the sausages. He has entered the stone-floored 


kitchen, a wooden stair-rail of which is 


seen in the shadows 


behind him, and he appears in a full light against the gray 


and brown tones of the walls—the gray of 
with notes of red. He looks at the spect 


the floor interspersed 
ator as though ready 


to accept sympathy but in no sense ready to yield his task. 


Signed at the lower 


right, F. ScHLEINGER. 


Owner, Estate of the late Mrs. Suz McLure Cuarx. 


No. 19 vA 


F. CACHOUD 


FRENCH, CONTEMPORARY 


a 45 
ASS 


VIEILLE GRANGE AU CLAIR DE LUNE 
Height, 14 inches; ON a pipes 


A De ee Ope ape es 
A smootH French road, white in the moonlight, entering the 
picture in the right foreground runs back and slightly toward 
the left, and finally disappears in a curve to the left beyond a 
building which is in the deep shadow of a clump of trees. 
Nearer by on the left two detached trees throw their shadows 
over the white road, and midway down the road is a solitary 
figure, walking. On the right the end of a broad barn with 
high gable and thatched roof is bright in the moonlight, its 
side being partly in shadow, and near it are other detached 
trees, both in the light and contributing their own shadows 
to the picture. 


Signed at the lower right, F. Cacnoun, 1905. 


Owner, Estate of the late H. Vicror Newcoms. 


- 


No. 20 


THURE CEDERSTROM 
SwepisHh 1843— | 


L \. 4 GOOD STORY 


Height, 21 inches; width, 151% inches 


Uys y | 
aby Ui nataee Ages 
Two jolly, tonsured monks in white, with black capes—one 


lean, one rotund—are enjoying themselves in the library. The 
thin and younger man is perched upon a shelf, his feet on a 
carved-wood chair, facing the right, three-quarters front, and 
reading aloud from a thin black volume which he holds up 
before him, his head thrown back and his pleased eyes directed 
downward through his large nose-glasses. His thin lips are 
drawn into a smile. His florid and ampler brother stands be- 
side him at the right, facing the front and leaning back against 
the shelf, his hands piously clasped over his expansive waist, 
and his merry face wreathed in smiles as he cocks his head ever 
so little toward the reader. Back of them are many books and | 
documents on shelves from floor to ceiling. There is a bright 
hight on all. 


Signed at the lower left, Tu. CepeErstr6mM, MincuHen. 


From the private collection of the late Edwin Thorne. 


No. 21 : | Zt 


GEORGE H. McCORD 
_American 1840—1909 


ON THE BEACH 
(Pastel) 


ee 14 inches; length, 20 inches Y, ' 
h ak Glee 
Hex cliffs on at right rise behind a broad, Gacy beach, a 
cluster of red-roofed cottages nestling at their foot, the cliffs ( 
in places sheer and white, with some broken slopes that are 
grass-covered. A group of fisher-folk are standing on the 
beach near some small boats, and others are seen on some 
heavy working-sloops which are in shallow water on the beach, 
waiting for the tide to rise. ‘The sea to the left of them, their 
own sails, and the clouds overhead are tinged in hues of the 
sunset, and the shadows of the sails fall toward the foreground. 


Signed at the lower left, G. H. McCorp. 


Owner, Estate of the late H. Vicror Newcoms. 


No. 22 


EVERET SHINN 
AMERICAN 1873— 


THE RED DRESS 


(Pastel) 
cave Height, 18 inches; length, 22 inehes | | 
Sige Vo. I uy The 


Tuer front of a stage is shown, covered with aw olive-green 
carpet before a neutral, smudged back-drop or background 
of grayish-black with reflections of the carpet and of the red 
dress of a solitary woman performer, who stands in the center. 
Her dress is a bright scarlet. The woman, who stands with her 
arms extended at her sides, looking forward, holds high in her 
left hand a red paper lantern of the same hue as her gown. 


Signed at the lower right, EK. Sunn. 


Owner, W. Beacu Day, Esa. 


No. 28 


JOSEPH H. BOSTON 


AMERICAN, CONTEMPORARY 


MOONLIGHT , 


es Rift he. 18 inches; Ue 22 inches y, 
Hee. Se pS = 
A sort, sandy road, -Inaking a fend: in the foreground, leads 
down to a group of cottages in the middle distance, near the © 
shore of a harbor which is bounded on the far side by a line 
of hills, where more houses are indicated. ‘The cottages are 
showing their evening lights, and lights appear on boats distant 
in the water, and the whole scene is bathed in the soft light 
of the moon, which is seen beyond the thinnest of misty cloud- 
veils. 


Signed at the lower left, Jos. H. Boston. 


Owner, Estate of the late H. Vicror Newcoms. 


No. 24 


ARTHUR PARTON, N.A. 
AMERICAN 1842— 


A WOODLAND POOL 


ee Height, 24 inches; width, 18 ines y 
( =a YU: “ OAM 
In the foreground of marshland are green reeds and a pool, 
and beyond the water trees of varied form extend in an open 
line across the landscape, the taller cones lifting their topmost 
branches above the picture. At the base of the trees, near the 
pool, a hunter is making his way toward a clump of under- 


growth, his dog a little in the lead. 
Signed at the lower right, ARTHUR Parton. 


From the private collection of the late Eywin THORNE. 


t. oe eee 
y Micaela it 5 ope te 


=e 
i a a 


No. 25 


ANTONIO CASANOVA Y ESTORACH 
AMERICAN 1847—1896 


ANTICIPATION 


ps 2 Height, 22 inches; width,.17 ae 
; aa 7 H 
BEFORE a long table covered with a rich, Peeler loteate 
drawn-work ornamentation in its deep and elaborate borders, 
a fat and heavy monk stands facing the spectator as he draws. 
the reluctant cork from a promising bottle of wine. He is in 
a buff-gray habit and wears a long blue apron, which he has. 
pushed aside to grip the inviting bottle between his knees, 
and he smiles as he shuts his teeth to give a long, strong an- 
ticipatory pull. His broad pate is bald, a bit of his remaining 
gray hair curling over each temple, and he has the hardy 
complexion of a good liver. The light falls on monk and 
table, the room back of him being dark. 


/] ~ 


Signed at the lower left, ANronto Casanova y Esroracn, 
Paris, 1886. 


eS From the private collection of the late Eywin 'THorNE, 


| yee J3itle Lift 16 16 Ka SVS Ppov: 16 $6 fAixx 


aed, ee Height, 22 inches; width, 1734 we ce 


No. 26 


C. VON BERGEN: 


GERMAN 


THE KNITTING LESSON 


(5- Ke 
A YOUNG peasant girl in a gray waist and blue apron, seated 


on a wooden bench against the gray wall of a humble cottage 
room, is teaching her younger sister—a flaxen-haired child—to 
knit. Each holds a piece of knitting and the needles, and the 
elder has paused to take her sister’s small hand and direct its 
work with the needle aright. The child is in brown with a red 
apron. Light from a window at the right, before which a 
flowering potted plant is seen on the sill, falls upon the chil- 
dren and brightens a spot of the floor and wall. 


Signed at the lower right, C. v. Bercren, 1886, MincHen. 


From the prvvate collection of the late Eywin Tuorne. 


oe 3 0 oe Height, 18 inches; length, 24 ib 


No. 27 


‘DOMINGO-MUNOZ y) 
; SPANISH nee: 


RAE SPY 
(Panel) 


Wo a/l— 
BEswE a gray-walled inn with a red-tiled roof, over which pro- 


jects a green arbor, on the right, three officers are at déjeuner 
at a table spread with a snowy-white cloth and various refresh- 
ment, while sentinels stand near. ‘Two women, one in black, 
the other in a white mantilla, and in the bright colors of a 
happy southland—one of them carrying an opened fan which 
she holds in an attitude of coquettish defiance—approach near 
the center, eyeing the officers keenly and submitting in their 
turn to sharp inspection. On the left and in the middle dis- 
tance are various groups of soldiery and a few horses, and here 
and there are noticed stacked arms. 


Signed at the lower left, Dominco-MvNoz, Panis. 


From the private collection of the late Eywin THorRNe. 


No. 28 


LUDWIG HARTMANN 
German 1835— 


PLOWING 
(Panel) 


Height, 151 inches; length, 27 inches 
oi (Bins fee 
Two men are plowing in a broad field, each with his own team. 
One old man at the left is bent over his plow handles, his team 
of a light horse and a brown one moving away from the spec- 
tator and toward the right. The other farmer is standing, fac- 
ing the onlooker, his team of one dark brown horse and one sor- 
rel resting and looking toward the observer as they are headed 
to the right. A part of the foreground is in the shadow of a 
cloud. Across the field, in sunshine, two women and a man are 
seen gossiping beside some cows which are coming out from 
the shadow of trees. The picture is bounded by a line of hills, 
a group of buildings seen on one distant crest. 


Signed at the lower right, Lupw. Hartmann, MUNCHEN. 


Purchased from D. Heineman, Munich. 


Owner, STanuey P. Girrorp, Esa. 


‘ 


No. 29 


HENRY W. RANGER 


AMERICAN 1858— 


LANDSCAPE 


2 Height, 18 inches; length, 29/2 Wey 8 a 
| ee “spe! : 


THE head of a pond or small lake and its marshy borders are 
blue and green over a broad foreground, the wider part of the 
lake at the left being mottled with gray reflections of the fleecy 
clouds which are strewn thickly across a pale blue sky. On 
the farther side of the water two small farmhouses and a barn, 
among low trees, are built at the base of rolling uplands of the 
distance, which at the left mount to a high rugged hill. Toward 
the red and yellow farmhouse at the right a figure is approach- 
ing. The neighboring cottage, white, adds its reflection to the 
others mingled in the lake, and near it is a red boat which a 
farmer is entering. It is a hot, bright, sunshiny day of summer. 


Signed at the lower left, H. W. Raneer, 99. 


Owner, Estate of the late H. Vicrorn Newcomp. 


No. 30 


GEORGE H. SMILLIE, N.A. 
American 1840— 


IN WESTCHESTER COUNTY, NEW YORK 


ie AAG ea Speen 
A. GREEN hill sloping from the left is bounded if/ the middle 
distance by a series of trees descending the hill, and toward 
the bottom following the line of a stone fence which at the right 
separates the hill’s slope from low, flat fields beyond. One of 
these is brown under cultivation, its neighbor a green meadow. 
In the distance, far beyond a brown wood with blue shadows 
in its depths, is the silvery-white line of a broad river near the 
horizon. In the foreground the slope of the hill is marked by 
some outcropping gray, flat rocks, and the shadows of trees 
and stumps which the sun from the right casts up the hill. 


Height, 181, inches; length, 261 inches } 


Signed at the lower left, Gzo. H. Smrurie, N.A. 


Owner, Hstate of the late H. Vicror Newcomen. 


y 


\ No. 31 
- - DANIEL RIDGWAY KNIGHT 
American 1850— ; + 
x . 
() RURAL COURTSHIP | e* 


Height, 26 inches; width, 20 inches 
Jae Nitin 


A TALL wooden garden gate is swung open and a peasant 
maiden leans dreamily against it, listening to her tall and hardy 
lover who stands in heavy sabots in front of her, leaning on the 
opposite gate-post. At either side is seen the stone wall of the 
garden, the path down the center to the gate is dotted with 
fallen leaves, and beyond the wall is a green and tree-grown 
landscape. The girl is hatless, and wears a purple-lilac waist 
and rolled-up buff-gray skirt, and a white kerchief about her 
neck. She has brought her knitting with her and toys with it 
idly. The youth, who is coatless, is clad in rusty-brown of a 
rich, unctuous surface. 


Signed at the lower left, Ripeway Knicut, Paris, 1886. 


SSG From the private collection of the late Epwin Tuorne. 


BUC Gee nie hee f ve VEZ fp Uxx 


No. 82 


GEORGE H. McCORD 
AMERICAN 1840—1909 


THE LIGHTHOUSE—MOONLIGHT 


Height, 20 inches; length, 30 inches 

ee (oO — Dt . N) as lLaAr 
ON the right a round, white lighthouse, now gr eet i in the moon-— 
light, rises at the end of an attached group of low buildings on 
a low, rocky shore on which some rowboats lie, the tide being 
out. In front of the lighthouse, toward the left, the harbor 
waters are brilliant with reflections from the full moon, which 
is among some loose clouds aloft, mingled with touches of 
color reflected from the red flare of the lighthouse. Here and 
there boats, some with their sails up, appear in silhouette, and 
in the distance are seen projecting points of land at the harbor 
mouth. 

Signed at the lower left, Gzo. H. McCorp. 


Owner, Estate of the late H. Vicror Newcoms. 


No. 33 


WILLIAM RITSCHEL 
AMERICAN 1864— 


THE HOUR BETWEEN 


(Water Color) 


| ean: Height, 20 inches; leng h, 294 inghes —() 
esa E Lae / ble 


“THE hour between” is the time between sunset and moonrise, 
or daylight and true night, and in this bright gloaming here 
a shepherd in a blue blouse is seen following his gray sheep, 
which he is driving in a flock down a wide, irregular road, away 
from the spectator. At either side low hills slope gently to 
the road, along which on the right runs.a narrow brooklet, 
and at a bend in the road, toward the distance, are peasants’ 
cott yes in the shelter of masses of trees. 


Signed at the lower left, Wm. RrrscHex, 1903. 


Owner, Estate of the late H. Vicror Newcoms. 


No. 34 \ 


FRANCESCO VINEA 
[ Irarian 1846— r) (ne, 


THE FORTUNE TELLER 


é Po, inches: lenoth. 2814 inches / 

. a sim Height, 231% inches; ey sat BS oi ee aie 
Four gallants are gathered about a table with a lace-bofdered 
white coverlet in an inn, where they have had refreshment. A 3 
young nobleman with flowing locks, in a light blue costume 

| and white stockings, is seated beside the table, with his left 

. hand extended to a bent old woman leaning on a staff, w. » 

reads his palm and tells him his future. Two of his older 

companions—one in pink breeches, with turned-down drab 

j boots, and one in a mahogany-brown costume—have risen 

i from their seats and lean over the table to look on, while 

behind him stands one of his gay young friends, with flowing 

red locks and wearing a plumed hat, who flirts with a smiling 

serving maid. 


Signed at the lower right, F. Vinwa, Firenzr, 1890. 


| Purchased from Boussod, Valadon & Co. 
° v4 A Owner, STanvey P. Girrorp, Ese. 


| ea, CLL. Oef 19¢/ ia hye 


} 


iq ee fac 702. £ INS 


Bas eisint 


= 
Gti ht Oe aa 


No. 35 
SALVADOR BARBUDO-SANCHEZ 


SpanisH 1858— 


IN HONOR OF HIS EMINENCE) 
Height, 211% inches; length) 33% (inches 
CH - , 


IN a brilliant palace hall, elaborately ornate, three great ladies 
in massive white wigs and the richest of gowns are eritertain- 
ing an elderly cardinal. Seated in the center, he leans his 
chin upon his left hand, the elbow resting on the arm of his 
high-backed carved gilt chair. One of the ladies, seen in 
profile, looks straight at him; another, behind her, in back 
view, accompanies on the piano the third and youngest of the 
trio, who is playing for His Eminence on the violin, while his 
sober gaze is directed downward. A man stands by, waiting 
with refreshment. 


Signed at the lower left, BARBupo, Roma, 1901. 


Purchased from Fischel, Adler & Schwarz. 


Owner, STANLEY P. Girrorp, Esa. 


GUSTAVE JACQUET 
Frencu 1846—1909 i 


ROMANCE 
é oa Height, 29 inches; width, ce (3 ey 
Jy AL 

A. FAIR young woman of fresh complexion and roun tee fig- 
ure is seated in a blue velvet upholstered chair, playing the 
guitar. She is shown at three-quarter length, in a décolleté 
gown of golden yellow richly embroidered in lace work and 
floral patterns in white, pink, blue, green and other hues. The 
elbow sleeves finish with flowing lace and she wears pearl 
bracelets, and a pearl necklace of a single strand about her 
neck tied at the back with a black velvet ribbon. Her blond 
hair is decked with flowers and a black velvet pompon, and 
her head turned so that she is seen in full face. 


Signed at the lower right, G. Jacquet. 


By order of Carpvoza & NATHAN, ATTORNEYS. 


No. 37 


FRITZ THAULOW 
Norwecian 1847—1906 


SUNSET ON. THE RIVER 


Height, 251 inches; length, 32 inches 

| f) Pfs; — tt h pwede oe 4 L, 
A proab, rapidly flowing stream runs out of the foreground 
on the left, reflecting the tones of a sunset sky and the colors 
of the foliage of overhanging trees which grow on the right 
bank in the middle distance. Beside the trees is a rich 
meadow, which continues on the opposite side of the stream, 
where cattle are grazing and lying down. Beyond them is 
a moderate-sized, partly wooded hill, which, with a red-roofed 
and whitewashed cottage at its base, is glowing with the warm 
light of the setting sun. 


Signed at the lower right, Frrrz THautow. 


From the Julius O. Frank sale, American Art Association, 1907. +27 fo ( 


Owner, STANLEY P. Girrorp, Esa. 
PSG L ee Angee Bees g Becight f Mentar gree jo 
Fa WA ge AVA ed 5 GPs 29/98 Sie Joker. faek por HC. F 4 
Z §/o3 fr PA est oleh, fi PRI ETE A Oct LIV G6 Ll (~F AWS % 


% op, SAZET 
ee FRENCH Ny 


AFTER THE REVIEW 


Height, 22 inches; length, inche /] 
ea p \ J} MAAV LY 


THE scene is in an open woods of eee {rough which a 
narrow highway runs, just here\ passing by a level bridge ¥ 
over a stream or ravine below, the bridge approach protected 
by low stone abutments and parapets. Grouped about these 
are officers and soldiers, seated on the ground or at tables, 
smoking cigarettes or refreshing themselves from their can- 
teens. Two country wenches in sabots, seated on a parapet, 
listen to the badinage of a bugler; officers who are standing 
near their horses in the road look on; and in the distance 
more of the troops, mounted and afoot, are seen on the plain 
and among the trees and along the road. 


Signed at the lower left, P. Jazer, 1883. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


Rn je: Height, 30 inches;~width, 25 inches - 
AUP see CC oa e 


No. 39 


ENGLISH SCHOOL 
PORTRAIT OF MARGARET BRYAN 


THe portrait of a dark-haired young woman with a wise and 
contained smile, facing the spectator, her figure turned shghtly 
to the right and her fair and oval face slightly to the left. She 
is shown at half-length, standing. Her left arm rests on a 
green-covered pedestal, almost shoulder-high, the hand gently 
clasping the folds of a black mantle which is draped over her 
shoulder. The right arm hangs gracefully at her side, with 
the elbow slightly flexed. The waist of her creamy-white, 
loosely clinging gown is crossed in graceful folds about her 
breasts, the low neck-opening edged with lace, and has lace 
shoulder-sleeves finishing with a narrow band of pyramidal 
ornament. Neutral background of brownish tone. 


By order of Carpoza & Natuan, ATTORNEYS. 


& 


ECILIA 


AINT C 


SCHOOL 


(SPANISH 


: SPANISH SCHOOL 
XViltru Century a 
: Wi a 


wy oe 


= 
Fal a 


2 
SAINT CECILIA : Pe al 


Height, 36 inches; width, 2834 ee i 


AGainst a dark brown background as of the dim interior of =~ 


some spacious edifice, the saint is pictured at three-quarter 
length, facing the right, striking with one hand the keys of an 
organ while in the other she holds a sheet of music. She turns 
her face three-quarters to the front and is singing. She is 
portrayed as a young girl, with full round face, large eyes, 
and creamy complexion faintly tinged with pink, and she 
gazes upward with a devoted expression. Her brown hair 
falling over her shoulders is adorned in red, and she is clad 
in rich red and blue garments, with a jeweled girdle. A — 
mantle or scarf over her shoulder, falling low, reveals one 
breast, and a strong light from above on the left illumines her 
face, the breast and one hand, and is reflected in a brilliant 
_ shimmer from the rich blue sleeve of many folds. } 


By order of Carvoza & NarHan, ATTORNEYS. 


PROS ASAE S 


- 


a des ik 


“ iat No. 41 


FRENCH SCHOOL 
LOUIS XIV 


| 

| 

| a re. Height, 35 inches; width, 271 ee : | 
Y ay ‘asp Naa hb Vg f 


Le, Grand M onarque is depicted in full, day k periwigy royal € 
dress and partial armor, at half-length, load and ltacing | 
the right but having turned his head to look with majestic | 
condescension in the direction of the onlooker, his eyes from | 
the height of his august position directed just slightly down- 
ward. He is observed before a dark, conventional background 
of draperies and atmosphere. ‘The royal neck is enwound in 

_ white, with an ornate lace bow over the rich red coat which is 
largely concealed by the polished metal breastplate and sleeve 
armor. His shoulder is crossed by a blue sash, and a mantle 
of royal purple curls before his chest. 


By order of Carpoza & NatHan, ATTORNEYS. 


9 


(ee 


No. 42 


ROBERT C. MINOR 
American 1840—1904 


CRADLE OF THE HUDSON 


—— 6ot 


Height, 26 inches; lei 36 ase, 


THE noble river that becomes an estuary for (fhe Seva ’ 


merce 300 miles below is showry here a narrow blue stream, 
hardly more than a brook. Its waters are hurrying for a brief 
space through a sinuous lane or bed between sloping banks 
of dense, luxuriant green—herbage and foliage alike varying 
in their tones from a deep, dark green of density and shadows 
to a light, yellowish-green in the brighter places of a vast 
wilderness. Near the foreground at either side of the stream 
are trees detached or in groups, and on the right are some 
moss-grown gray rocks, above the water. Farther back all 
is green forest, against a distance of blue mountains under a 
gray and blue sky with some yellowish-gray clouds. 


Signed at the lower right, Minor. 


Owner, Estate of the late H. Vicror Newcoms. 


E, 


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COTT AC 
H, ENG. 


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No. 43 


“ROBERT W. VAN BOSKERCK 
AMERICAN (1855— 


SUSSEX COTTAGE, PULBOROUGH, ENGLAND 


Height, 24 inches; length, 36 igches 
oH 337 : y 

A HANDSOME cottage of ancient style, with exterior beams sail 
plastered walls, is perched upon a bank on the right of a road, 
its red brick chimneys rising above it at either end. Its lower 
roof is of red tile about the dormer windows, elsewhere of a 
deep thatch whose brown tone has been turned to green by 
moss. Behind it are greenish-brown trees, beside it the grass 
grows, and most of its front yard is a bright, blossoming, char- 
acteristically variegated humble English garden. Am old man 
leans on the gate watching some chickens that are Bune) in 
the road. 

Signed at the lower right, R. W. Van Boskerck. 


Owner, Estate of the late H. Vicror Newcoms. 


No. 44 


CARLETON T. CHAPMAN 


AMERICAN, CONTEMPORARY 


THE BONHOMME RICHARD AND SERAPIS, 
SEPT. 23, 1779—“PAUL JONES’S GREAT 
VICTORY” 


ge oe 

THE great, high-sided ships are ee Cael ne one bod -on 
and headed to the left, the other stern-on and outside ofVher. 
It is getting dark in the skies above and on the waters below, 
but the ships are alight with the blaze of the American, and 
the figures of the men fighting them can be seen on the decks, 
in the light or in silhouette, with arms in their hands. The 
square sails aloft appear some in shadow, some in the glare 
from below. 


Height, 32 inches; Ae 26 es 


Signed at the lower left, CarteTron TT’. CHAPMAN. 


Owner, Estate of the late H. Vicror NEwcoms. 


No. 45 


EDUARD SCHLEICH 
German 1812—1874 


THUNDERSTORM 


—— veo 
/ SS a 


Height, 181 inches Le 33 inches 

eae fields of green pasture-land the midale distance are 
in sunshine, as are patches of the landscape elsewhere, both 
near and far, while the shadows of gathering thunder-clouds 
darken lines of woods in the distance, and a stretch of the 
country across the middle distance. Here the land descends 
more or less abruptly from the sunlit pasture-plateau to a 
shallow stream crossing the foreground. Beyond the water 
is a loaded wagon, and a peasant woman in a blue skirt is 
walking up the slope toward the pastures. Half-buried in a 
sheltering clump of trees and bush, of rich, velvety foliage is 
a group of cottages whose red and brown roofs are seen in 
part in the sunshine. Beyond the pastures two old windmills 
with heavy arms rise above the light horizon, against bluish- 
gray clouds which are massing there, while the darker storm- 
clouds—driven by the winds—are assembling overhead, the 
blue sky visible in patches among them. 


Signed at the lower left, Ep. ScHLEICH. 


From D. Heineman, Munich. 


Owner, STANLEY P. Grrrorp, Esa. 


No. 46 


F. SOULACROIX VJ 
Frencu 1825— 
“HERE I- AM!” DAM 


Height, 35 inches; width, epee 


eo nD) : T Reedhipcga rn 
STEPPING out between long, gray satin portieres, which she 


has just parted, and which still conceal portions of her gown 
about the feet, a tall, buxom lady comes toward the spectator. 
But she pauses and turns her head to her left to greet with a 
warm and happy smile someone not seen in the picture, as 
she announces: “Here I am!’ She wears an Empire gown 
of pink satin, sleeveless and low, with white lace showing at 
the laced corsage. She is plump and blond, and her blond 
hair, verging upon red, is done high and bound in pink bands. 
She catches the curtains with each hand, the left arm down 
at full length, the right a bit flexed, and she stands on a 
marble floor. Interest has been centered in the quality and 
texture of the broad surfaces of the lucent gray and pink 


fabrics. 
Signed at the lower right, F. Souvacrorx. 


Purchased of D. Heineman, Munich. 


Owner, Stantey P. Grrrorp, Esa. 


No. 47 


A. PENOT 

ie, : FRENCH . 
2 () 5 RIEUSE ) q 
~ Height, 284% inches; length, 36 jnches 4 


S06 | : 
Tue three-quarter length figure ae RAE ovine 
woman, nude, resting amid downy cushions and draperies on 
a divan, the light falling from the left full upon the supple 
torso. She is seated, facing the spectator, a rich dark robe 
wound about her limbs, and has thrown her body and head 
down upon the couch toward the right—her abundant dark 
hair curling loosely over the green cushion, ornamented in 
gold, on which her head lies, resting on her left arm. The 
right arm is raised straight up, and flexed at the elbow, bring- 
ing the hand down again to toy with her hair, while she looks 
at the spectator, smiling cheerily and half-mockingly, with 
parted lips. The play of the light, and the influence of the 
reflections of the draperies, upon the pliant flesh are care- 
fully studied and interestingly depicted. 


Signed at the upper left, A. PENoT. 


From the Salon of 1906 (No. 1299), where it was recorded as having 


already recevved previous mention. 


y1005 Owe, Srantey P. Grrrorp, Ese. Faxrxk~ 


ax Set]oe Fa mrs 


No. 48 é 


LUCIEN DOUCET 


FRENCH - 
FIVE OCLOCK TEA 
Height, 24 inches; length, 36} inches c7 Z 


7 ea Bee C1 oe Glan, 
IN a rich interior of olive and mahogany tones with a ver- <= 
milion floor-covering a varied company are gathered. At the 
right a middle-aged man, hat in hand, bends over the chair 
of a ‘Titian-haired young lady in lace waist and lavender skirt, 
gallantly touching his lips to her finger-tips, while back of 
them another red-haired lady calls her excessively correct 
visitor's attention, in a whisper back of her hand. On the left 
a young man turns music for a young woman at the piano. 
Through a draped archway in the center two other ladies are 
entering the room, one with a teapot, and a lady in white at 
the side holds out her cup. 


Signed at the lower left, L. Doucer. 


Purchased from Messrs. Boussod, Valadon & Co., 1890. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


No. 49 


HUGH BOLTON JONES | 

American 1848— 4 

A BROOK IN EARLY SPRING 4g 
Height, 24 inches; lenyth,p40 inches pe 


33d = \ 4 
A Broad hillside slopes from the’ right to nfeadows threaded 
by a winding brook. At the foot of the hill the landscape is ; 
crossed by a line of trees, brown and with little foliage, which : 
extends as a penetrable screen across the middle distance. 

The green landscape is glimpsed beyond, and in the distance 

are blue hills under a pale blue sky overspread by light gray 
clouds. The broad brook taking an irregular course about the 
foreground reflects the light tones of the sky and the darker 
brown shadows of the trees and bushes. ‘The meadow is green 

and yellow, with an occasional brown bush. 


Signed at the lower right, H. Boiron Jones. 


From the private collection of the late Enwtx THORNE. 


No. 50 


HARRY CHASE / 
etree Ae 1853—1889 


RIDING AT ANCHOR IN A GALE ES foe Boe TE 


Le 


Height, 40 inches; width, 30 inches / yew 
a YWrr- <o- IU KX Cle / 


Se 


An old-fashioned 
full-rigged ship, 
with the white band 
Of a drigate, «her 
sails furled and no 
one visible aboard, 
is pictured head-on 
as riding at her two 
anchors in a roll- 
ing, tossing — sea. 
At the moment 
her bow is raised 
Oil wae oT ecelmse? 
which breaks to 
foam against her 
stem, the light 
striking the water 
with a reflection of 
her side and yellow 
bottom. To port of 
her, off her quarter, an anchored brig is plunging bows un- 
der, and in the distance other ships are seen. ‘The sky shows 
plenty of wind but no rain-storm. 


Signed at the lower left, H. Cuasr, 1882. 


Owner, Estate of the late Mrs. Sue McLure Crark. 


No. 51 
FRITZ THAULOW 
Norwecian 1847—1906 oy 4 
inc ie 


BRIDGE AT BEAULIEU 


Height, 29 inches; length, 36 


sete —ve | 
N the left the ancient stone bridge of many arches comes 


into the picture in the foreground, leading back and slightly 
toward the right. Beyond it some cottages of stone, brick 
and plaster, with varied and picturesque roof lines, are 
clustered before wooded hills, under a grayish-white sky with 
suggestions of purple, the tree-tops forming a high horizon. 
The nearest cottage, on lower land, stands to right of the 
bridge, on the farther bank of the river, which coming from 
under the bridge overspreads almost the whole foreground. 
The cottage is red and its reflection warms somewhat the dark, 
cold, green water, partly snow-laden, which carries many other 
reflections in its rippling current. Roofs, the limbs of trees, 
the bridge edges and its railing are snow-covered, snow is 
piled on the steps leading down to the water before the red 
cottage, and over one white-roofed cottage gray smoke rises 
from the single chimney straight up in the wintry air. 

Many tones in the stone, brick and mortar of the bridge give 
the structure an attractive quality, nicely balanced by the white 
of the snow and the colors of the varied cottages. 


Signed at the lower left, Frrrz THauLow. 


Owner, Estate of the late H. Vicror Newcoms. 


ee OS 


Owner, Estate of the late H. Vicror Newcoms. . u 


JEAN RICHARD GOUBIE 
sc} Frencuo 1842— 


| 


THE FALCONERS 


; 5116 inches 
wa j Sia Height, 35 ve, iba 51 hey oe 
DAAD es CRA DA 


A COMPANY of en in cocked hats and rich apparel” 
are out with their mounts for a day’s sport with the falcons. 
Four of them are riding away toward the right, over moorland 
toward a stream, watching the flight of three of the birds. 
The others of the party are gathered in the foreground, two 
of them interested in the capture of a great owl that has been 
trapped. At the left background are dense woods. Ten fig- 
ures appear in all, their embroidered coats of red, pink, blue, 
green, lavender and buff, and their horses bay, sorrel, gray, 


cream and piebald. 
Signed at the lower right, R. Gousis. 


No. 53 


MAURICE LELOIR 
Frencn 1853— 


LA DERNIERE GERBE 


Height, 71 inches; length, 110 inches 
a7 ee | : SH 
IN a gaily decorated boat on a Winding river of gentle current 
and smooth surface, a group of men and women are seen in 
brightly colored costumes, celebrating the completion of the 
harvest. Under a canopy in the stern a man in red and a 
woman in blue are seated on stacks of ripened grain, the rowers 
seated before them, and farther forward in the boat are other 
persons playing music as the craft moves slowly along. Flow- 
ers are festooned all about the long, slim boat, tall bouquets 
being erected beside the canopy, and high above the stem a 
cock is perched upon a sheaf of grain garlanded with many 
blossoms. The river forms the foreground, with trees in the 
center of the bank across the stream, and next them toward 
the right appear groups of happy harvesters with their imple- 
ments. 

Signed at the lower right, Maurice Letorr, 1882. 


From the Salon of 1882, No. 1637. 


Painted to order for the late John Wolfe. From the John Wolfe, 
Collection. | §94 A*® AZ bees 


From the Alexander Blumenstiel Collection, American Art Associa- § 
tion, 1906, wnder the title “The Harvest Festival.’ At s06 fp Nu“ 


By order of Carnoza & NaTHAN, ATTORNEYS. 


No. 54 


SCHOOL OF RIBERA 
THE ANATOMIST 


Sy Height, 54 inches; wi inches 
oS Ss geag 


AGAINST the somber background of a dark room an} aged 
bearded enthusiast, with curling and disheveled brown hair and 
seamed brow, is portrayed intently studying a dark brown 
_ human skull. He is shown at three-quarter length, seated 
before a writing desk, with a large parchment tome open on 
his lap and resting against the desk. He keeps it open with 
the hand that is holding the skull, his other hand resting above 


his inkwell and holding ready to dip, for annotations, his quill 


pen. A heavy, dark red robe, his only garment, which hangs 
in folds about his figure, has fallen from one shoulder, ex- 
posing the aged breast and one arm. The light from a lantern 
with a reflecting mirror, which is supported by a bracket over 
the reading desk, strikes full upon the anatomist’s features 
and his brown exposed shoulder, and illumines a crucifix on 
the wall below the bracket. 


By order of Carvoza & NaTHAN, ATTORNEYS. 


THREE BARYE BRONZES 


Belonging to the Estate of the late Mrs. Sue McLure Clark 


cag 
Ee - 


ANTOINE LOUIS BARYE 
Frenco 1796—1875 


No. 55 


LION CRUSHING A SERPENT 


7 Ue Height, 101% inches; length, 14 inches 


Brown patina. Re- 
duction by Barye of 
his famous colossal 
group, still standing in 
the gardens of the 
Tuilernes seoris: 
French people saw an 
allusion . to _ political 
parties in this monu- 
ment of a lion placing 
his paw on a vicious 
serpent. The older classicists, who may have cared little for 
politics, but everything for Roman grandeur, were also in- 
censed, because they thought that animals were beneath the 
dignity of large sculpture. Instead of striking at the serpent, 
the lion is more disdainful than furious; he shows his teeth 
and growls, and anchors the serpent to the spot with one 
formidable paw. The mane is treated in great masses or 
waves of hair. 


Signed on the base, Bary. 


% 2 va No. 56 Pai 


/ 4 ia, 


- j 


os AL AO 260 g CDi, 


AN ELEPHANT CRUSHING A TIGER 
_ Height, 84 inches; length, 131% wee 


REEN ae The Duc 
de Montpensier gave 
Barye a special order for 
this group, and in 1837 . 
he finished it. It was not 
sent to the Salon because 
the favors received by 
the sculptor from mem- 
bers of the royal family 
excited so much jealousy 
that his pieces had been refused before. Here we are in 
Northern India assisting at a duel to the death between the 
largest and wisest of vegetarians and the fiercest and most 

powerful of flesh-eaters. The tiger has grappled the ele- 

phant’s shoulder. ‘The elephant has torn him off with his 

trunk, and before he can get his feet has pinned him to the 
_ earth with his right tusk. 


Signed on the base, Barre. 


Se een ie 


CS 


PANTHER SEIZING A STAG 


Height of bronze, V 444, inches ; len. the h, 22 Inche 
soe win 


ANTIQUE green patina. A panther has caught a stag in such 
a fashion as to paralyze its efforts to escape. It cannot use its 
horns, and the creature’s weight forbids the stag throwing it 
off by flight. The enemy is searching for the artery which, 
if severed, will finish the struggle. Magnificent modeling, each 
animal characteristically handled. 


Signed on the base, Barye. 


No. 58 


N. WATTIEAUX 
VULCAN HEARKENING TO VENUS 


(Painting on porcelain, in heavy brass frame) 


( 


VULCAN, nude, a hammer in one hand and a sheathed sword 
in the other, is seated on a red robe, an anvil at his elbow, on 
which Cupid is perched while turtle doves coo beneath it. Vul- 
can looks up over/his shoulder to Venus, in brilliant drapery, 
her bust exposed, who appears just back of him raising a 
halting finger, while before him lusty youths hold ready and 
waiting his helmet and breastplate. At the left, three men, 
nude to the waist, are working vigorously at his blazing forge, 
whose smoke rises to the ceiling. 


Ss e Height, 8 inches; length, y inches 


Signed at the lower right, N. Warriraux. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


A COLLECTION OF PRINT PORTRAITS 


WITH ORIGINAL ETCHINGS, AUTOGRAPHS AND OTHER MEMORIALS 
OF EMINENT PERSONS, GROUPED IN INDIVIDUAL FRAMES 
BELONGING TO THE ESTATE OF THE LATE 
H. VICTOR NEWCOMB 


No. 59 


By Jean Francois Millet, with specimen of Aris penmanship. 
A peasant mother shown at three-quarter length is facing front 
and turned slightly to one side. She holds her baby lying at 
full length across her lap, and is herself tasting a cup of 
broth with a spoon. 

Signed at the lower left, J. F. Mrruet. 


Below it is an envelope addressed by Millet. 


Purchased from E. F. Bonaventure, New York. 


No. 60 


ETCHING, PORTRAIT AND AUTOGRAPH 
OF J. L. FE. MEISSONIER 


A SCRIBE or attorney is seated with his back to the spectator 
and facing toward the left, at a table, busily writing with a 
quill while a man in uniform waits, his hand on the table. 


ve a 


tw /, Signed EM m monogram. 


A FULL-LENGTH portrait of Meissonier by L. Mouzies. Meis- 
sonier stands in.sack coat, breeches and puttees, facing the 
left, and turned nearly three-quarters from the spectator so 
that his face is barely seen in profile, examining a small sculp- 
ture of a horse. 


AN autograph letter by Meissonier, requesting his account 
from M. Miihlbacher. 


Purchased from E. F. Bonaventure, New York. 


No. 61 


ETCHING, PORTRAIT AND AUTOGRAPH 
OF JEAN FRANCOIS, MIL 
ches aS ee Vee ; 
A GOATHERD in sabots and clumsy peasant’s dress stands in a 
hollow among hills whereon her goats are foraging. She faces 
the right, three-quarters front, well before her goats. 


Signed at the lower right, J. F. Mi.xet, 


Heap and shoulders portrait of Millet, drawn and engraved 
by Etienne Gabriel Bocourt. In robust middle age, with full 
beard, and thick hair brushed back; facing left, three-quarters 
front. 


CERTIFICATION by the Mayor of Chailly (on the Barbizon 
plain) of a letter of M. Kugene Cuvelier regarding a dog, 
the letter endorsed “Pour approbation du certificat,” by J. F. 
Millet, whose signature is followed by that of ‘Théodore 
Rousseau. 


No. 62 


ENGRAVING, 
BY CHARLES FRANCOIS DAUBIGNY, AN 
AUTOGRAPH LETTER AND A PORTRAIT 


| 6s OF HIM 

| o go — mM. ee sae eee: 

| ciatiNG by Daubigny after his own painting, “Parc a 
Moutons—Le Matin”; the flock near a fence, beyond which 
is a shepherd’s hut on wheels, with an orchard in the back- 
ground. 


Portrait of Daubigny by Massere; head and_ shoulders, 
to the right, three-quarters front; wearing a cap. 


Env of an autograph letter by Daubigny, with signature, 
and date 1868. 


No. 638 


ETCHING, 

. AUTOGRAPH LETTER AND PORTRAIT OF 

| JEAN BAPTISTE CAMILLE CORQT 

| Vite: =p eurgeg ie ie 
& Ercuine by Corot, “Souvenir d’Italie,” a landscape with trees 

and distant buildings; apparently one of his own paintings. 


An: autograph letter by the artist. 


Portrait of him by Etienne Gabriel Bocourt; head and shoul- 
ders, his white hair flying; facing the right, three-quarters 
front; smoking a pipe. 


A> 


No. 64 


HEAD AND SHOULDERS PORTRAIT 


oe OF SIR Bete. LAWRENC 
Sy aes (ani 9 


Wir# an illustration of one of his Se and an antonrapte aan 
letter. 


Purchased from E. F. Bonaventure, New York. 


No. 65 


ETCHING, PORTRAIT AND AUTOGRAPH 


Iai aay ge jab ave 
‘EO Same 


H{AL¥F-LENGTH seated portrait age Hue facing oe ae 
slightly to the right, by De C. Motte, after Deveria (1829). 


AN etching of landscape and ruins, by Hugo. 
AN autograph letter of the poet’s. 


Purchased from E. F,. Bonaventure, New York. 


No. 66 


PORTRAIT AND AUTOGRAPH Cm 
OF JOHN GREENLEAF WHITTIER 40> 


5 4 ~ (OD Yrran 
ENGRAVED portrait of the ook Sea Wilcox, in head 
and shoulders, facing the right, three-quarters front. The 
Quaker is depicted in his age, with gray hair and beard, the 
upper lip shaven and his severe but kindly gaze directed down- 
ward, as in deep thought. 


AN autograph letter to “my dear Osgood” (the publisher) 
expressing thanks for a biographical sketch of Lowell. 


Purchased from E. F. Bonaventure, New York. 


: No. 67 
PORTRAITS AND LOCK OF HAIR es 


_ OF QUEEN VICTORIA 


A porTRAIT of Victoria as the young queen, crowned, drawn 
by Sandoz and engraved by Tavernier. 


A wock of Victoria’s hair under glass in a medallion frame, 
and a letter dated Chelsea, Sept. 5, 1842, from the wife of 
the queen’s jeweler, enclosing the lock promised to a 


child. 


FULL-LENGTH portrait of the queen, crowned, standing on 
the dais before her throne, in a white satin, ermine-trimmed 
décolleté gown. 


Purchased from E. F. Bonaventure, New York. 


if-0 


No. 68 


PORTRAITS OF THE EMPRESS JOSEPHINE, 
WITH MEDALLIONS OF NAPOLEON 
ey 


~ “AG ee - 
Buack and white engraving of a head and bust portrait of 
Josephine, crowned, within a heart and an elaborate frame. 


Heap and bust lithograph in color by Mersaldy after I. Isa- 
bey; the empress faces the left, three-quarters front, a fluffy 
drapery enwinding her. 

Two MEDALLION portraits of Napoleon, one in gold; one in 
gold and enamel in miniature, in an enameled star. 


Purchased from E. F. Bonaventure, New York. 


No. 69 


PORTRAITS OF THE COMTESSE DU BARRY, 


WITH LETTERS Hf 
aU Ee Ge tds Ge Wane 


FULL-FACE engraved portrait by L. le Grand, turned slightly 
to night; head and shoulders, in plain dress, depicted as in a 
medallion bound with ribbons and floral strands and _ sur- 
mounted by two doves. Verses in French below. 


Heap and bust portrait, in elaborate Court dress, with low 
corsage, powdered curled wig and ostrich-feather headdress 
adorned with flowers. Slightly smiling. Engraved by Boni- 
vet. Below, memorial inscription reciting her decapitation. 


2 
i 4 ‘ 1 La > . a a P ~~ ™ 
eT ee ey ee ee ee Se ee ee ee ee ee ee ee ee ee ee ee Se ee ee se 


» —— ee eS 


No. 70 


ELIZABETH 3 

oe Hb. 
_Porrrarr engraved by W. T. Fry after the original by 
— Zucchero in the Marquis of Salisbury collection. Proof. The 
queen is in royal purple and white lace, with yellow brocaded 
waist very low cut, and wears a rope of pearls and a rich 
claret-red cloak. Three-quarter length, standing. 


| A COMMAND, on parchment, Sage by Elizabeth and addressed 
“To all Admiralls.”’ 


PORTRAIT AND STATE PAPER OF QUEEN ~*~ 


‘ : 
a 
; a i" * 
Peas ayy ~ Fela iy de 
- a) ay 
‘ x x 
eT ale OF aly MY 1g 
sa : 4 
. ieee @ 
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T EVENING’S SALE 


1 es 
ad 
1 


BALLROOM OF THE PLAZA 


No. 72 


JEAN RICHARD GOUBIE / 
Frencn 1842— / 
| THE END OF THE RIDE 
me of * Height, 14 inches; width, 11 phe 


T WO EQUESTRIANS, | 
who have been out 
for a morning ride 
on a bright day of 
early summer, when 
the trees are in full 
and deep green foli- 
age, are seen in the 
foreground, ina 
private road leading 
fora. dairy farm. 
Ushey ead-e~ riding 
away from the spec- 
tator, in the direction 
of a gate. The lady, 
on the left, in a 
black riding habit, is 
mounted on a sorrel 
horse; her escort, in 
gray, who is on a horse of rich, almost black coat, points with 
his crop to a sign on the stone gate-post at his right, reading: 
“Ici on vend du lait douwx.’ The lady is seen in profile, 
against the opposite post. Beyond them on the left are tall, 
thick trees, and beyond the gate are to be seen thatch-roofed 
buildings of the farm. 


Signed at the lower right, R. Gounte, 1886. 


S3BIS From the private collection of the late Enwin THORNE. 


Be aii Guy (566 Kr OSkx% Worl FFE BANLX 


/ 


No. 73 


EDWARD ALLAN SCHMIDT 


GERMAN, CONTEMPORARY 


THE ARMORER 


(Panel) 


Height, 9 inches Re 
Jy « el \ 


‘a 


THE armorer, a well-knit 
man with sandy-brown 
hair and full beard, stands 
at his bench facing a 
window at the left whence 
the light comes, and turned 
three-quarters toward the 
spectator, busily engaged 
with his work. All about 
him are parts of armor 
and his tools, and back at 
the right his forge glows 
red under its broad chim- 
ney. ‘The armorer wears 
a long brown leather 
apron, which tones in with 


the gray and brown walls of his quarters. 


Signed at the lower right, Ev. ALLAN Scumipt, 1899. 


Owner, Estate of the late Mrs. Sur McLure Crark. 


No. 74 


GEORGE INNESS 
American 1825—1894 


SUNSHINE AND SHADOW 


(Panel) 


ae Height, 121% inches; length, 15 indkes 
epeficnes WW. Dargo 


A mEADOw with coarse growths of green grass and brown 
weeds, partly in sunlight, extends back to indefinite hills of 
the distance, before which, on the plains, houses appear. Tall 
woods at the edge of the foreground on the right, green and 
touched with red, and rising out of the picture, cast a light 
shadow over the nearer part of the meadow, which beyond 
them is all in the sunlight, and the light also strikes upon trees 
of the middle distance on the left, whose bushy tops appear 
against a grayish-white sky that over the hilltops has a pinkish 
note. 

Signed at the lower right, G. Inness, 1893. 


Owner, Estate of the late H. Vicror Newcoms. 


APO Ge Certs acaeneenene 


No. 75 


ALEXANDER H. WYANT 
AMERICAN 1836—1892 


COUNTY KERRY 


Opi eee Height, 12 inches; Coe i ea 
A tow stone hut with a heavy thatched roof is built high up 
in the mountains, on a rocky eminence whose broken sides are 
bright with green grass, mingled with reddish growths amongst 
the vegetation. Upheaved and jagged rocks are everywhere. 
The sunshine falls upon hut and foreground, but over the 
distance a mist has descended, through which tall peaks loom 
toward a gray, mysterious sky. 


Signed at center of the bottom, A. H. Wyant. 


From Reichard & Company, 1888. 


Owner, W. Beacu Day, Esa. 


No. 76 


ROBERT C. MINOR > 
AMERICAN — 1840—1904 


vf 
Lon 
? 


4 SPRINGTIME 


Height, iy inches; length, 15145, inch 


BOB ile 2 


A RIVER coming through a well-wooded country 
reflections of the i air sky, where it is not ae § 


time. Near one bank is a fla boat eth a peat 
it whose reflection adds its note to the water. — 7 


wsacsyapeaiiiee® 
guage 


No. 77 


J. FRANCIS MURPHY 


American 1853— | ee 
SUNSET | eu 


Hei. ches! aga da ee ll a 
7 eee ‘meadow 7 


Nicut is settling over a level plain or meadow which is bounded — 
toward the horizon by slightly higher land. VOn the right two — 
young trees rise out of the picture, and toward the left middle | BY 
distance is a small group of slender, sparse trees. The sun 
has gone down and the whole of the visible heavens is blazing — 
with reddened clouds, with a streak of yellow just over the 
horizon, the glow being reflected in a shallow pool of the 
foreground. | 


Signed at the lower left, J. F. Murpuy, 1904. 


Owner, Estate of the late H. Vicror Newcoms. 


Ee ee 7a ea a ee ae a 


henge tee 


No. 78 
J. POKITONOW ff 


RusstIan rd 


THE DUTCH HUNTER \ 
: | ; : i ; 
jie (Panel) yb 45 


Height, 4 Ze lengt » 18% inche 


TA BROAD flat landscape appears ilar a bright gray-blue sky. 


ee y Trees with a few leaves are growing in groups toward the left, 


while near the center of the picture three of them stand out in 
sharp individual outline against the clear sky of an inviting 
autumn day. ‘The meadow around them is brightened by 
___ shallow gray water, and on marshy land in the foreground to 


the left a hunter is bending over, his gun across his arm, as 


though to pick up some proofs of his marksmanship. It is a 
picture of much atmospheric charm 


Signed at the lower right, J. Poxrronow, ’86. 


JFL From the private collection of the late Knywin THorne. 


Qe RLF fom. 117 Hea MM XX Feb 1557 £ esx 


pattie MEIC SE III Sy 


No. 79 


JEAN BAPTISTE GREUZE 


Frencw 1725—1805 


PENSIVENESS 
( Panel) 


Height, 6 inches; width, 414 inghes mes 
YY: . Ye és Y 


A YOUNG woman of 
full face and plump 
arms is portrayed at 
three-quarter length, 
seated and turned 
toward the right, three- 
quarters front. Her 
feet resting somewhere 
higher than the floor 
raise her knees above 
the plane of her hips, 
and she throws herself 
carelessly forward, 
arms on knees, as she 
turns her broad face 
almost squarely toward 
the front. She has 
large, pale blue eyes 
and very pink lips, and 
she wears a pensive smile as she looks vaguely into space, 
her left cheek and temple resting on her left hand, whose 
elbow is on her knee. A white cap bound with a red ribbon 
conceals most of her yellow-mahogany hair, and she wears an 
old-rose waist with white sleeves, a turquoise-green skirt and 
a bluish-white apron. 


Owner, Estate of the late Mrs. Sur McLure Cuarx. 


seas ne 


No. 80 


NARCISSE VIRGILE DIAZ DE LA PENA 
Frencu 1807—1876 


THE BROOK IN THE WILDS 
(Water Color) 


Height, 5 inches; length, 7 inches Bx : —~ 


79 — FoDeo Lac 


AL WATER-COLOR with the crispness and vigor in effect of the 
artist’s oil paintings, though very simple. A narrow brook 
comes in a winding course down through the center of a rough 
and wild landscape, passing in the middle distance between 
a green, bush-covered mound on the right, where a single 
brown tree at the water’s edge is silhouetted against the sky, 
and a rocky hummock on the left with brown bushes. Active 
yellowish-white clouds course before a bright blue sky, with 
suggestions of rain-clouds gathering. 


Signed at the lower right, N. D. 


Owner, Estate of the late Mrs. Sur McLure Crark. 


aed 


No. 81 


MARIANO FORTUNY Y CARBO 
SpanisH 1838—1874 


SPANISH LADY WITH FAN 
(Water Color) 


Height, 12 inches; width, 81 mches 7 | 1) 
Vv. a 

A DARK-HAIRED young 
woman of prominent 
features and full lips 
is seen at three-quar- 
ter length, her body 
turned three-quarters 
from the spectator 
but her face in pro- 
file toward the right. 
She is gowned in 
black with sugges- 
tions of color, the 
dress being short- 
sleeved and her lower 
arm covered by lace. 
Black lace hanging 
from her flat head- 
dress or cap falls low 
down her back, a 
touch of light purple 
appearing at the neck, and she carries an open fan decorated 
in white, dark red and green. 


Signed at the upper right, Fortuny, Roma. 


From the Mary J. Morgan Collection, 1886. 74 ‘eos jf 5€S 


Owner, Estate of the late H. Vicrorn Newcoms. 


et 
| 
eaahy 
& V 
Ea 
F ie No. 82 
4 | Age 
—" CHARLES EMILE JACQUE ‘ 


oe 


Frenco 1813—1894 


} 


4 


SHEEP IN WINTER QUARTERS 
| (Panel) 


| p Cl (eee Sore 

A TOs Height, 8 inches; length, 104. inches Z | Sas 
: 1 AAV 

In the corner of a sheepcote, or stable, whére a broad slant 
of sunshine strikes down, two sheep and a lamb are shown, one 
of the sheep, on the left, facing the spectator, the other stand- 
ing across the canvas near it and in the center, with the lamb 
beside it. ‘This one is nibbling at some greens which have been 
scattered on the straw-covered floor. A lantern hangs against 
the gray wall, above a feed-rack, a hen is pecking in the straw 
below, and two other chickens are perched in the semi-darkness 
on a clumsy wooden stairway on the right, leading to the loft 
above. 
| Signed at the lower right, Cu. Jacque. 


ee EE eeeEEeeEeEeEOEOEOEeEeeEeEeEeEeEEEEEEOEEEE_EOE_ eee 


|= 
y 3L0 From the private collection of the late Enwtn 'THoRNE. 


FT Aegree dons hfeh £5 6 ey Dac. SLEG BUIKX 


yo 


No. 83 ie 


ANTON MAUVE 
Dutrcu 1838—1888 


OLD COACH IN SNOW 
(Water Color) 


Height, 1034 inches; length, 13 inches 


Wei Saoe a 
AN ancient coach, with a body of a pale oliye-green color, is /, ~ 
approaching over a snow-covered road which is scarcely to be “ — 


distinguished from the unfenced fields about it under the heavy 


snowfall. The storm has ceased, but a few vehicles have left 


trails along the road. The coach is drawn by a team of old = 


horses, one black, one white, and seems to be a mail or other — 


Government conveyance, the driver and a man on the seat — 


with him both being in a military uniform. In the distance 
buildings can be seen under a dull gray wintry sky. 


Signed at the lower right, A. Mauve. 


Owner, W. Beacu Day, Esa. 


UL DESIRE 


roe 
Wie 
. 
f 
£ 
» 


No. 84 


PAUL DESIRE TROUILLEBERT 
Frenco 1829—1900 
LANDSCAPE 


e Height, 1314 inches; width, hh imches 
VP ee CO ae 
A RIVER bisecting the landscape passes from sight un ik 
three-arch stone bridge in the middle distance, the water in the 

foreground reflecting shadows of bridge and bank and the white 
and blue of the sky. On the bank at the left is a line of low 
dwellings, seen against a mass of thick trees, and the bank on ~ 
the right is wooded, tall trees at the stream’s edge rising to the 
top of the picture. 


Signed at the lower left, TRovuILLEBERT. 


Owner, Estate of the late H. Victor Newcoms. 


No. 85 


ANTON MAUVE iS 
Dutcu 1828—1888 


”) () A DUTCH FARMERS TEAM | “= 
*) Height, 914 inches; length, 15 inches rf: laa 
eee eae on. OL. ee 

A PEASANT farmer of the Low Countries, in a blue blouse, 
greenish-brown trousers, sabots and a black cap, stands in a 
field at the head of his team, holding them by the bridles for 
the artist to paint the picture, although they look as if they 
would stand willingly to rest from their labors. They are 
harnessed to an old-fashioned, crude farm implement which 
may be a sort of plow, that is seen against a low green hill 
rising to the left of the field. The nigh horse is black, the off — 
horse brown. The sky is a dull grayish-yellow. 


Signed at the lower right, A. Mavve. 


Purchased from Boussod, Valadon & Co., 1889. 


Owner, Estate of the late Mrs. Sue McLure Crark. 


ay Boat 
ox) Peek 


No. 86 


3 EUGENE FROMENTIN 
il "Sd Frencu 1820—1876 
A 


OQ PASSING THE FORD 


no O (Panel) 


_ Height, 1414 inches; width, 1034 ee 


ee Oe Cite 
ARABIAN horsemen, accompanied by runners on foot and som 
dogs, have come over a treeless stretch of hilly country to’ 
stream in the foreground at whose border is the beginning of 
wood. The leaders have passed the ford, while others of th 
company are pressing their horses through the water, and tw 
others are coming galloping up, still some distance out on the 
grassy trail. In the foreground on the near side of the stream 
a rider on a white mount stands out against the shadow cast by 
the trees over the water, and the light falls also on a ne 
afoot by his side, who is leading some dogs in leash. The 
riders in the shadows are accentuated by the red and other — 
colors in their costumes. ‘The sky is somber. 


(ae 
a 


Signed at the lower right, Eve. Fromentin, *65. Le 


Purchased of M. Knoedler & Co., Paris. 
(4 1S Owner, STantey P. Girrorp, Ese. Oet/67 SS KK — 


R. WG hon 84/67 Pakxkx 


by 
pee 


ce 


ge oh 


Oe Se 


Fe 


De 5 at ey 
poe 


eer tet ate are « 


ee 


No. 87 yr 


JEAN JACQUES HENNER IY 
Frencu 1829—1905 ir : y 
TETE ROUGE (oN Cayo eee ee cane 
Height, 17% inches; width, 1234-inches =~ 
sted f= WNAar*rA__ 
Heap and bust of a 
young woman, her fig- 
ure turned to the left, 
three-quarters front, 
her face turned full to 
the front. She is look- 
ing fixedly at the spec- 
tator. 9 She ‘wears a 
black dress, with a low, 
square neck-opening. 
Her red hair is parted 
in the center and is 
falling loosely over her 
shoulders, the mass of 
it taking the form of 
an arch about her face. 
She has dark, deep-set 
eyes, and white flesh, 
and her red lips have 
almost a purplish tinge. Dark background. 


Signed at the upper left, J. J. HENNER. 
Purchased of Julius Oehme. 


Owner, Sranitey P. Girrorp. Ese. 


\ 


Hh Te 


MOORISH CHILDREN 


Hoek 11 inches; length, 17 ee “y 


ae LY 


gether, three of them seated on ie aroun and two te 
and one of the latter holds a small green and red parrot. 
either side of the group are trees with scant foliage and acro: 
a lake in the middle distance is a low tract of country “y h 
“mountain peaks on the horizon. ae 
Signed at the left, N. Dias. .. 


From the George F. Tyler Collection, 1897. Ne J f f A cee Xk 4 
From the Frederick S. Gibbs Collection, 1904. re 2 0 é AGSX 


Owner, Estate of the late H. Wioron Newcomn. 


Catal 
eae 


Sd 


O oor a 


No. 89 i 


JEAN BAPTISTE CAMILLE COROT 
Frencu 1796—1875 


THE BEND OF THE RIVER 


a Clee 131% inches; length, 181 ee ee 
nw 4 
A NARROW pastoral stream coming £6r ward on the left winds 
through a low and level stretch of the French countryside, 
bending to the right near the foreground. Here on the left a 
rowboat with a solitary figure standing upright in it is pushed 
against the low bank, and at the right of the foreground is a 
figure in red bending over and looking down into the long 
green grass. Wispy trees with silvery trunks and feathery 
foliage cross the picture on the nearer border of the river, 
and on the farther bank are cottages with brown and red roofs 
and white walls. ‘The whole under a gray sky with touches 


‘of white cloud and an occasional patch of blue. 


Signed at the lower right, Conor. 
Purchased from Scott & Fowles. — ? . 7 e W-. he, eC f ILE 


Owner, Sranitey P. Grrrorp, Esa. 


No. 90 


JULES DUPRE KY 
Frencn 1812—1889 Sg 


THE OLD OAK (LA RIVIERE) 


Height, 1514 inches; length, 2114 jnche 
o co — vy), U 4 


Tuer foliage standing out darkly against the bles and 
of the sky, a thick clump of trees are seen on the right, gr 
ing on the bank of a reedy stream which runs through a 
marshy meadow. A cow stands knee deep in the sha 
water, back of her at the stream’s edge being a peasant who 
has driven her down to drink. A tangled mass of undergro 
about the trees obscures the outlines of the trunks, of wl 
bright patches are seen here and there. A grand old oak 
in the middle distance is silhouetted against the horizon, 
tary and alone, rearing its top above the low surrounding coun- 
try. Subtle contrasts of the deep blue sky and gray clou 
enliven interest in the vaporous masses and serve to harnoes 
the various colors of the landscape. 


Signed at the lower left, Dupre. 


From the collection of M. Charles Noel, Paris. 1841 ne 7 Je AO- i 
From M. Knoedler & Co., New York, 1893. ns 27a" p NSE 
From the collection of the late Henry Graves, New York, 1909. 7 2y, A ¢ 4 


Owner, STantey P. Girrorp, Esa. 


ae #1 ; I Aa. “ a oa 
ye 


7] 


1018 | 


pt 


of slender and crooked trunks which grow both there and o 


No. 91 


HENRI HARPIGNIES 
Frencu 1819— 


MENTON—CAP MARTIN 


Height, 141 chee length, 201% Mae 


Two trees with curled and knotted trunks grow at the left, 
a low hillside descending to the sea, among lesser, slighter tr 


the right. Between the groups one looks across the point o 
the green and broken hill of the left, and across the low fore 
ground at its base, to the blue water flecked with white and 
far indefinite hills beyond it. The thin foliage of the tr 
forms a broad, leafy arch against the sky—which is blue ov 
head and filled with clouds near the horizon—through whi 
one looks to the water and the distant landscape, some of the 
trees being touched with yellow. - . : 


Signed at the lower left, H. Harrientes, 190: 


Purchased from M. Knoedler & Co., Paris. 
Owner, Stantey P. Girrorp, Esa. Sfthe AUS X— 


At?Y Tuk, aos Fixx 


No. 92 


DANIEL RIDGWAY KNIGHT.) : 
American 1850— eo | 
Jf 


HARVESTER GIRL x 


Height, 22 inches; width, 18 inché 
nn a J) VY, ce lon 


‘TALL/ ‘ stout, arora 
eee peasant girl of 
light complexion and 
red cheeks is standing 
in a sunny harvest field 
which has been partly 
reaped, the yellowed 
grain still standing in a 
section of the middle 
distance toward the 
right. Her brick-red 
waist, unbuttoned, dis- 
closes her white under- 
waist, and her blue skirt 
is rolled up to the hips 
above the torn old-lav- 
ender petticoat. She 
has a pink-dotted white head-covering and stands with her 
right hand on her hip, the left resting in the crotch of an old 
wooden pitchfork—on which she leans—above her head. A 
river flows across the landscape back of her, along the edge of 
the field and before an opposite bank of green woodland. 


Signed at the lower left, Riveway Kwnicur, Paris. 


Purchased from Boussod, Valadon & Co., 1888. 


Owner, Estate of the late Mrs. Sur McLure Crark. i 


No. 93 
FERDINAND VICTOR LEON ROYBET 
France 1840— 
_® THE GAME OF CARDS } 
| (Panel) | 


Ve Ae poate Height, 18 inches; bemasii 22 pnches me yas 


IN an se vneas furnished room of/a Poe or oe 


profile, wears high boots and spurs, i is ite a She . 
green velvet, with high upstanding ruff or collar. He 
seated, his cards in hand, eyeing his opponent—in rich ora 


The ‘standing player wears a tall-crowned hat with bro 
flexible brim which shadows his face; the new-comer, in silvery- | 
white satin coat, with a pale olive sash, plum-colored breeches 
and gray boots, studies the cards with smiling interest—a wiley b 
glass in his hand. . 


74 
ae 
2 


Signed at the lower right, F. Royser, Paris, 


Purchased from E. Le Roy & Company, Paris, 1889. 


Owner, Estate of the late Mrs. Sur McLure Crark. , 


a 


hae - “Eb: at 
. ym Sots Bs Ata: 
eel b \e 3 a | 


qe’ 


Ties om N One one 
FRITZ THAULOW | 
Norwecian 1847—1906 , 


THE MILL 


} Me 
(ae with gray from the sky and \ 

trees that line the banks, the surface of the 
some orange from bushes at the right and le 
at the center with coppery-red reflections of he 
a brick, plaster and shingle structure of var 
mill appears beyond the sluice-gates, the w 
Farther back toward the right, near a fence, ny 
woman stand oe in front of a white-walled 


Height, 2114 inches; length, 25s 


omen STAN DE Yaris, Guxons. Ksa. 


No. 95 


GEORGE H. BOGERT 
AMERICAN 1864— 


» “ THE NEW MOON 


horizon, and reflect their light and cine in duatied wi 
the foreground. 15 ee 
Signed at the lower left, Gores 


Owner, Estate of the late H. Vicror Newcoms. 


No. 96 


LUIGI CHIALIVA ‘ 
_Ivatran § 1842— 


«THE ~ SHEPHERDESS 


3 4 Height, 28 inches; wi@th, 21 inches | Z O S, 


ae 


A TALL young: peas- 


ant woman, her light 
hair neatly parted 
under her red cap, 
wearing a white un- 
derwaist low at the 
neck, blue bodice, 
brown skirt and_ sa- 
bots, is standing with 
her back against a 
tree, looking down 
pleasantly at her 
brown sheep-dog, who 
looks up at her with 
open mouth. Around 
her and the tree are 
gathered her sheep 
| and their lambs, in the 

late afternoon. The 
| grass is a fresh green, the little group being seen on the 
| edge of a low meadow that is bordered by a winding stream 
t 


| at the left. Near the water a ewe suckles her lamb and in 

__the foreground another lamb is bleating. The sunlight from 

: beyond the trees reflects in the river the notes of red-roofed 
buildings of the farther bank, and glints across the backs of 
several of the sheep, warming their fleece to a yellow-white. 


Signed at the lower left, L. Cutauiva. 
| Purchased direct from the artist. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


LOO ae 


Heap and shoulders of a eat ae man Tine mature years, ne a 


No. 97 se 
SCHOOL OF REMBRANDT 
PORTRAIT OF AN OLD MAN 


Height, 211% inch ie 19 % et 


figure turned to the right, but facing the spectator, his face 


more than three-quarters to the front. He is of dark, sandy, — = 
almost swarthy complexion, full-colored and strong-featured, © 


yet wearing a kindly air withal. He seems to have lived well, 
if not piously, and the brown eyes look down with the com- 


placency of the unworried. His indulgent mouth is more or -* 


less surrounded by a sparse mustache connecting at either tip 


with a hirsute festoon which, falling below the lower lip, 
fringes his chin. He wears a brown greatcoat and large cap, 
and is seen before a characteristically dark brown background, 


the light falling from the left on the sitter’s face and shoulder 
only. 


By order of Carpnoza & Natruan, ATTORNEYS. 


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THE Virgin is clad in a deep-red tunic, over ich she wears. 


No. 98 


ATTRIBUTED TO GHIRLANDAJO ~ 


Tuscan ScHooL 
VIRGIN: AND CHILD 
(Panel) 


Height, 28 inches; width, 22 inches 


a loosely flowing robe of rich, full, complementary green, the 
play of light brightening its folds. She is seated, facing 
slightly toward the left. The swathed and haloed Child lying 
between her knees reaches up toward the breast which the 
Mother is offering Him, while back of Him at the left the 
youthful St. John is portrayed as a worshipful figure, with 


long yellow hair, wearing an olive-brown tunic, over whose — 


shoulder a purple-red wing appears. The saint supports the 
Child’s shoulder tenderly with one hand, and with the other — 
points reverently to the Mother. The head and shoulders of 
another—a female—figure appear at the Mother’s elbow; she 
looks steadfastly at the Child. The Virgin has reddish-yellow 
hair which is partly concealed by an elaborate and jeweled lace 
headdress. 


Owner, Estate of the late Perper Hassincer. 


No. 99 


JEAN SIMEON CHARDIN 
Frencu 1699—1779 


PORTRAIT OF BERNARD RENE JOURDAN DE 
LAUNAY, MARQUIS DE LAUNAY, LAST 4-% 7 
GOVERNOR OF THE BASTILLE Tite 


es Height, 281% inches; width, 23 fe 
SG0 = Var Solvrelyr 


A. PORTRAIT of the man who was to go downto fame as the 
last and fated governor of the Bastille, painted when he was 
a young man. (The artist died ten years before de Launay 
met his fate at the hands of the infuriate mob who had taken 
his stronghold.) The marquis is portrayed in the wig and 
dress of the young nobleman of his time—the gray wig with 
three formal curls over each ear. He is shown head and 
shoulders, turned slightly toward the right but seen in full 
face. His deep, steady blue eyes look straight at the spec- 
tator, as steadily calm as one can imagine the old de Launay 
looking, on that fourteenth of July when he held the taper 
ready to blow up the magazine rather than surrender. He has 
a high forehead, rather a long nose, and an oval face, and is 
clean-shaven, with the suggestion of a naturally stout beard. 
His greatcoat is a warm gray, with pale green binding and 
buttons, and set off by a short strip of red velvet where it 
buttons across his chest. He wears a white stock with a full 
bow under the chin, and the broad black bow tying his wig 
behind shows over his shoulder. His complexion is fresh. 
Neutral background, from olive-brown to light turquoise- 
green. 
Signed at the right below the center, J. S. Cuarpin; and 
dated, but the date is not now clearly decipherable. 


Owner, Estate of the late Perer Hassincer. 


pra d te MAD. 1-24- by hy UW Prier 
Wagtorvved /J. q- 


Wok Ay Oates deered Wi. olden 


MARQUIS DE LAUNAY 
JULY 14, 1789 


“Qld Marquis de Launay, of the Bastille, has pulled up his drawbridge and 
‘retired into his interior,’ soon after midnight of Sunday. . . . The Hétel de 
Ville ‘invites’ him to admit National soldiers, which is a soft name for surrendering. 
On the other hand, his Majesty’s orders were precise. His garrison is but eighty- 
two old Invalides, reinforced by thirty-two young Swiss; his walls are indeed nine 
‘feet thick, he has cannon and powder; but alas, only one day’s provision of 
victuals. . . . Rigorous old de Launay, think what thou wilt do! .. . In 
such crack of doom, de Launay cannot hear them, dare not believe them. . . . 
Woe to thee, de Launay, with thy poor hundred Invalides! 

“What shall de Launay do? One thing only de Launay could have done; what 
he said he would do. Fancy him sitting, from the first, with lighted taper, within 
arm’s-length of the Powder-Magazine; motionless like old Roman Senator, or 
Bronze Lamp-holder; coolly apprising Thuriot and all men, by a slight. motion of 


his eye, what his resolution was. . . . The King’s fortress should in nowise — 


be surrendered, save to the King’s messenger; one man’s life is worthless, so it be 
lost with honor; but think, ye brawling canaille, how it will be when a whole Bastille 
springs skyward! . . . And yet withal he could not do it. . . . Great is the 
combined voice of many men. He who can resist that, has his footing somewhere 
beyond time. . 


“Victoire! La Bastille est prise! . . . De Launay, ‘discovered in gray frock | 
with poppy-colored ribbon,’ is for killing himself with the sword of his cane. He ~ 


shall to the Hétel de Ville. . . . Miserable de Launay! He shall never enter 
the Hotel de Ville; only his ‘bloody hair-queue, held up in a bloody hand’; that 
shall enter, for a sign. The bleeding trunk lies on the steps there; the head is off 
through the streets; ghastly, aloft on a pike. 

“Rigorous de Launay has died; crying out, ‘O friends, kill me fast! ”—The 
French Revolution, Tuomas Cartyitz, Book V, chapters VI and YII. 


‘ 


No. 100 


JOHN HOPPNER, R.A. 
EneusH 1758—1810 


PORTRAIT OF ELIZABETH SUFNELL 


HALrF-LENGTH portrait of a young woman of sober mien and 
agreeable features, seated facing the right, three-quarters 
front. She wears a white gown, with elbow sleeves, which 


flows loosely about her neck, whence the long, free folds of the 
waist are drawn down and crossed low on her breast, revealing - 


her tall neck and a liberal expanse of the chest. The gown is 
bound at the waist by a narrow blue belt. She has light yel- 
lowish-brown hair, done in a mass of puffs and curls high on 
her head and coming low over the forehead, a luxuriant curl 
hanging back of her neck in the conventional fashion of the 
day. Her eyes are blue and her cheeks pink, and she looks 
straight ahead of her toward the right. One hand is seen in 
part only, the other is hidden in the folds of a black mantle. 
Background of rich red drapery and conventional landscape. 


By order of Carpoza & NatHan, ATTORNEYS. 


+ 


RA Height, 301% inches; width, 25% inches a, 
| Sx a Nn 3 ce avr len- Pe. 


ea INTE LOL 
¢ ENGLISH SCHOOL my 

THE HONOURABLE SHERSON 

f “0 {)} 
i .. Height, 30 inches; eee neues 
eo > je Th Oe 
_ A HALF-LENGTH portrait—including a cs a hae - 

some young man who is described as one of the first directors 


of the Kast India Company, with powdered hair or wig, large 
bright eyes and dark eyebrows, looking straight at the observer 
in almost full face, turned very slightly to the left. He is 
shown against an idealized background of sea and land, and 
tropical vegetation, under a blue sky alight near the horizon 
and wholly obscured by dark, dull gray clouds overhead. He 
holds in his hand an old-fashioned folded letter, superscribed: 
The Hon, 
The Court of Directors 
East India House 
London. 


He is garbed in dark blue, his coat having broad revers and 
metal buttons, and he wears a white stock, with a white and 
purple-pink neckerchief deftly disposed in loose folds. He 1s 
of pleasant expression, ready to smile. 


By order of Carpoza & NaTHANn, ATTORNEYS. 


Vetere 


No. 102 ! 


JAN VAN MABUSE 
Fremisu 1470—1541 


VIRGIN AND CHILD 
(Panel) 
Height, 351 ioe width, a : 


Lay (POPE 
PaINnTING on a trilobate panel in an architectural frame. Be- 


fore a dark green drapery with yellow lining, held by winged aa 


cherubs, the Virgin is seated facing the front, turned very 
slightly toward the left, with her head leanmg toward her 


right shoulder, and holding in her right arm, on her lap, the 


nude Child, who looks at, without seeming to want to take it, 


an apple offered to Him by a winged angel on the left. Inthe 


other hand the angel, who wears a silvery-yellow tunic, holds 


a bunch of large, black grapes. The Virgin is clad in rich — 4 


vermilion and green, with gold and pearl ornamentation at the — 
low neck. Over her waved and curling hair, of blond cendré 
hue, is a white veil. Through a window at the left is seen a 
green landscape with hills, buildings, and travelers along a_ 
road—a flight into Egypt. 


By order of Carvoza & NarHan, ATTORNEYS. 


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No. 103 eS “i 


FRITZ THAULOW 
Norwecian 1847—1906 


RIVER ARQUE IN AUTUMN 


| .. Height, 23% inches; length; 2815 inches Ree 
7 oy, & § 
Re 4 . \ ° 


A RAPIDLY coursing river passes about a grassy bank on the 
left and overspreads the foreground. The point is grown with __ 
numerous trees, some of them green, some in their autumn 
foliage, and the swirling waters of the river are a mirror of 
the varied hues. On the farther bank, beyond a grassy field 
green in the sunlight, are woods which have also turned to 
autumn’s colors, and before them are white buildings with — 
red roofs. Under the shade of the foreground trees at the 
left, a fisherman pursues his placid sport in a punt moored = 
at the edge of the bank near a small landing stair. The colors 
of the light sky are added to the many reflections in the — a 
water. 


kK 
. yi wd 


Signed at the lower left, Frrrz THautow. 


Purchased from M. Knoedler & Co., New York. 
AGLo Owner, STanuey P. Grrrorp, Esa. 


AT At pw Seer [oi tos» Vas fo 3 Mnx i 4 


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2 US Clie 


No. 104 


ADOLF SCHREYER 
GERMAN 1828—1899 


WALLACHIAN CONVOY IN WINTER 


_ Height, 20 inches; eee inches ye G st 


autumn, in their still thick foliage. Coming forward: along 
the side of the wooded hill, over a snow-covered plain, i 


panied by their equally vigorous guards. The nearer horses, — 
clambering up a slope, breathe fiercely in the frosty air, and 
over the plain the snow is blowing in clouds that almost obscure 
the riders and their mounts alike. 


Signed at the lower right, Ap. ScHREYER 5 


Purchased from E. Le Roy & Company, Paris, 1889. 
Owner, Scaniey P._ a a 


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No. 105 


FELIX ZIEM Ae: 
Frencu 1821—1911 x ae? 


GRAND CANAL, VENICE 


Height, 251% inches; FEE 31% inches 


UNDER a blue sky almost comp hidden Dy white and g 


head, and thicken into a condensed mass toward ihe a 
the broad waters of the Grand Canal are an intense greer 
blue, mottled with innumerable reflections along the cease 
ripples. Filling the foreground, the canal extends back to 
low horizon, where the cloud vapor is pinkening toward 
set. In the immediate foreground at the left appear a 
spiles, and just off them is a lugger with canvas up but - 
flapping, a numerous company aboard, and before her a g 
dola with passengers is being propelled across-the str ; 
toward the domes, towers and gables of the city. These rise | 
as a shimmering mass of suggestions at the right, and con- 
tribute their colorful reflections to the already many-hued a 
water. a 
| Signed at the lower right, ZreM, 


Purchased from Julius Oehme. 


Owner, Stantey P. Girrorp, Esa. 


yes” 


_ inspired by the borders of the Rhone. 


SO ae a n- J bask 


Grass of a rich emerald note, thick and lush, covers a fore- 


No. 106 yr 3 
HENRI HARPIGNIES a 
Frencu 1819— 


THE RHONE—SUBURBS OF BEAUCAIRE 


Height, 26 inches; length, 32 ighG : y 


ground meadow, which is cut transversely by a depression that Se 
suggests the course of a rill. At right and left, thick, bushy 
trees are growing, with the crooked trunks of slender and — a a 
sparsely leaved ones standing out before their denser foliage. — 
Through an opening between the groups of trees is seen the — 
white face of the river, under a bright sunset sky full of light 
fleecy clouds, and beyond the stream are green hills of the a 
farther shore. e 
Signed at the lower left, H. rary eros, 1902. | 


From the Alexander Young Collection, London. 
Purnia! of M. Knoedler & Co., Paris. 
OwNeER, Sranuey P. Girrorp, Esa. oot [o7 tam x — AX: KMS 


In a letter to Mr. Gifford, M. Harpignies tells him that he found 
the motive of this picture in going to the Midi in 1902, when he was 


Bn 


No. 107 


x ANTON MAUVE 


a ; Duren 1838—1888 


a SHEEP IN THE HEATH 


/ : // oie = oe Height, 18 inches; length, ie a 
A LARGE flock of sheep are wandering over a gree 
browsing there amongst tall, bare sprigs of brush 
plentifully and appear brown in the cold days of 1: 

or early spring. On the right, the shepherd in his 


cd 4 


and is seen in profile, his dog beside him. The nearel 1 
of the flock are approaching the spectator. ee 


Signed at the lower right, A. Maw 


Purchased from Boussod, Valadon & Company, 1888. 


Owner, Estate of the late Mrs. Sus McLure Crark. 


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SIS LI IO . igs Wi ¢ Z 


No. 108 - 


OsteN BAPTISTE CAMILLE COROT 
Frencn 1796—1875 


L’ARBRE TOMBE EN TRAVERS v 
a DE LA RIVIE 


eS 20 inches; i pnt 32 inc 


OnE of the poetic jade of the Fre a countryside whic 
Corot interpreted so characteristically and faithfully. A tiv 
of cool, translucent .depths and placid course passes acr 
the land from the left foreground, disappearmg beyond a 
wooded point in the right middle distance. From these woods 
a dead tree has fallen out over the water, and this side of the | 
bare, black trunk a rowboat has put into a little cove at the — 
base of an aged pollarded tree, which aloft now puts out — 
feathery leaves and branches—the nearest member of the — fy 
woods. Before the pollard a peasant woman and child stand 
ready to enter the boat, which already has one occupant. At a 
the left are a few low trees in a clump on the farther bank of _ ae 
the stream, and far in the distance the buildings of a town | a 
appear on a hill, under a blue sky all but filled with gray and 
cream-white clouds. 

Signed at the lower right, Corot. 


Recorded and illustrated in “L’Ciwore de Corot,” by Alfred Robaut 
and Etienne Moreau-Nélaton, Vol. III, page 340. No. 2282. 

From Dr. Hecksher, London. 

From Boussod, Valadon & Company, 1888. 

Painted by Corot for M. Beugniet. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


i a retire 


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No. 109 


JEAN CHARLES CAZIN Ww on 
FRENCH 1841—1901 


WINDMILL AND CORNFIELD 


Height, 25% inches; length, are inches 
Og ee (Sgt 
Brown in the light transparent shade of an unseen clouds 
over the foreground, and a bright yellow in the golden sunshine e 
that strikes broadly down in the middle distance, a ripened and 4 
luxuriant grain field is depicted, on rising ground which in the 3 
distance seems to fall away to lowlands. At the border of : 
the field in the foreground on the left appears the red-tiled — 
roof of a building which is partly hidden by the grain and — 
stands below the level of the cornfield. Beyond it are seen — 
the tops of a neighboring grove of trees—a white roof ee 4 
amongst them—and farther on, near the center, on the 2 
of the field, rises an ancient gray windmill with huge arms. | 
Approaching it through the field of waist-high grain a figure 
is discernible. The blue of the sky shows through the gray — 
which overspreads it, occasional floating tufts of white cloud — 
are seen, and over the whole landscape is the atmosphere and — 
the sentiment of the country which Cazin was so notably able 
to render. ft 

Signed at the lower left, J. C. Cazix. 


Purchased from Scott & Fowles. 


Owner, Strantey P. Gtrrorp, Esa. is a 
A coll * Sows OPP e ee V4 ie SOS _ | 
Arorticca.. hh, bst0c, (S79 Siege EE Al 


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No. 110 


CHARLES EMILE JACQUE 
Frencu 1813—1894 


UNDER THE OAK TREES 


ce 


Height, 30 inches; width, mee 


of griseous clouds. In the nearer middle aise Ae oe 
the left the sunshine, through rifts in the cloudy curtain, f. 
upon the lower branches and trunks of two large oaks sta 
ing at the edge of a thick grove or forest, and upon a she] 
herdess seated on the ground at the foot of the nearer one 
She wears a purple-brown skirt, blue waist and white head- 
dress, and leans on one elbow, watching her sheep, her dog 
asleep beside her. ‘The sun-lighted grass about her is a bright 
green, and some of her sheep graze here in the light, others 
being in the shadow. oo 
Signed at the lower left, Cu. Jacque. 


From Mr. Van Gogh, The Hague. — / a » 
Purchased from Boussod, Valadon & Company, 1889. 
Owner, Estate of the late Mrs. Sue McLure Crark. 


Sk at. a, Cll ee tae at at aoe On ci tl ti 


No. 111 


EMILE VAN MARCKE | 
7) FRENCH 1827—1890 


THE NOONTIME DRINK 


ae Height, 32 inches; width, 254 ee 
SEO 


Two stur ce cows and a calf are ee ing nde a shallow pool 
stream which fills the foreground, bordered on the left by risin 
land which is thickly grown with trees that rise out of the 
picture, and on the right of these woods by a far-extending 
green meadow. Nearest the spectator is a large white cow, 
which has been followed into the water by a black cow with 
a white face, who looks steadily at the spectator, as does t 
white one and the small yellow calf by her side. Coming 
out from amongst the trees are two brown cows, and at the a 
right of the trees, at the verge of the meadow, a red cow is 
walking away, out of the water, tramping through some reeds 
toward the inviting green feeding ground that the meadow _ 
affords. Near her a peasant girl in blue, with a white head- 
dress, is leaning over a Stile, facing the spectator and looking 
at the cows in the water. 


Signed at the lower left, Em. van Marcxe, © 


S334 From the private collection of the late Enwin THORNE. 


oe SEC Fe. ALKKX Bas LEP G fen 


al 


LEON AUGUSTIN LHERMITTE 
Frencu 1844— 


No. 112 | ts } 


THE GLEANERS / = 
Height, 3042 inches; length, 881 inches (3) Ve e 
en eae V Vig Ale Be 
We A‘GOLDEN harvest scene in Fr ance, under a bright sun. In a 
middle distance the yellow-brown grain is already stacked 4 
high and is being piled higher by workers mounted on the stack, — 
beside which stands a partly laden two- wheeled cart, drawal 
by two sturdy white horses harnessed tandem. Beyond, in ieee ae 
distance down the field, the cone-shaped tops of completed — q 
stacks are seen, against tall green trees, and other trees grow a 
on a hillside bounding the field toward the right. There, in — 
the distance, farm buildings nestle amongst the trees and _ ‘aa 
glisten white in the sunshine. In the foreground, before ea 4 
principal stack, three peasant women in sabots- and loose. 
dresses are gleaning amidst the stubble. 


Signed at the lower right, L. Luermirre. i 


Purchased from M. Knoedler & Co., New York. a q 
24> Owner, STANLEY P. Girrorp, Esa. Reo, AX: XKK- 


6413 AT bee [69 Fuxax GI yu kee Pape ¢ 
RTA bye keofe 6eYf/ro 6515 Pat Falnon had 
a CAL, MoLnen Tun fo RYN 


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From the Scott & Fowles Sale, 1907. A@ at Borxxe 


Noses 


CHARLES EMILE JACQUE ~ 
| Frencn 1813—1894 a 


THE APPROACHING STORM 


Height, 29 inches; length, 39% inches. 
aot 


ienignses storm clouds indicate the speedy appr 
violent tempest. Their dark masses obscure most of the 
Along a broad sandy road a shepherd is urging his floc 
sheep, going from the spectator, assisted by his active dog, 
barks vigorously at the heels of the laggards. A flash or s 
of vivid sunshine strikes upon the sheep and the sheph 
and flecks the landscape with spots of light. In the immec 


foreground on the left a sturdy oak tree with cam tr 


mer foliage. Seen against the horizon, a low ine ae Ww 
hills bounds the meadow toward which the gee is ha 
ing his flock. 


Signed at the bon left, CH. Tac 
Wig ei /EGeL MEIG Far OSS na = 


rom the collection of Sir Horatio Davis, London. 


Exhibited at the French Exhibition in the Guildhall, London, 1898. 


Owner, Srantey P. Girrorp, Esa. 


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No. 114 


GIOVANNI BOLDINI | 
| Irauian 1845— 


HIGHWAY OF COMBES-LA-VILLE 


ae eight, 27 inches; length, BREE inches 


de 


ALONG a ies flat Peas with i v of 
village of white walls and red roofs, a few wagons are 
going and coming, while on a side path people are slowly 5 i 
ing under a row of slender trees. 'To the right is a | 
stucco wall, showing the red brick at the entrance gat 
where several women stand talking. ‘To the left is a stret 
of slightly undulating country, and above is a sky filled wit 
brilliant cloud-forms. Nowhere has the artist evolved | O 
dexterity or more feeling for the realization of the sparkle | 
a burning summer day in France. The strong ee of ne 


conveyed. 
Signed at the 1a Dated 


From the W. H. Stewart Collection, 1898. REG J f N MX a 
Owner, W. Breacu Day, Esa. feck: a Soa 


. 


No. 115 


DIEGO RODRIGUEZ DE SYLVA 
Y VELASQUEZ 
SPANISH 1599—1660 


TEMPLE OF THE WINDS 


Height, 251% wmches; Mayes 42 % yt to 
Rs c 


THE vast, low, semicircular Cael of ade sical architecture, 
with broad arches, and statues in niches, and surmounted iy 
other statues and by urns and green shrubbery, occupies the 
entire width of the picture, about a circular fountain in th 
center from which it is separated by a broad court, which 0 
the nearer side of the fountain takes up all of the foreground. — 
Back of the temple, all the way around, high and steep moun 
tains rise to a sky full of yellow-white clouds. The right half — 
of the picture is in a strong light, the left in transparent 
shadow. In the court, before the fountain, are several ladies — 3 
and gentlemen in varicolored garb, a child running and two pet 
dogs—some of the figures in the full, bright light, others i Ing 
the shadow. ‘The tones of the canvas generally are amber and 
a dark emerald-green. EA = 


Owner, Estate of the late H. Vicrorn Newcoms. 


si mamas cain ia ir EE EE i, i _— ee —— ee ee /- 


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No. 116 


FRANCESCO GUARDI 
Irauian 1721—1793 


VENICE—SANTA MARIA DELLA SALUTE 4 


Height, 8214 inches; length, 41%, inc 
I mb eo "ee por 

Tue famous church and neighboring and adjoining balding 
extend in a varied architectural line across the picture, t et 
line receding a little in perspective toward the right. San 
Maria della Salute occupies the conspicuous and central posi- 
tion, the mass of the domes rising to left of the center before 
a blue sky, the heavens elsewhere being largely overspread by ‘ 
gray clouds whose edges are turned a reddish-yellow in the — 
glowing sunlight. The sunshine from the left and a little back 
makes radiant the domes and nearer side of the church, and — 
is reflected brightly from the numerous red roofs of the build- 
ings to the right, while the principal facade of the great edifice 
is in transparent shadow; the Piazza, at the left, is simile 
shaded by other buildings. The entire group is seen close at 
hand, across a portion only of the canal which forms the fore- — 4 
ground. The blue-green water, cool in the shadows, is bright- _ 
ened toward the center and right by reflections from the warm, _ 
creamy-yellow and golden-brown buildings. Gondolas and 
sailing boats with figures dot the canal, and a number of — 
persons in costumes of bright colors are to be seen on the | 
church steps and on the Piazza and landing stairs. | 


By order of Carpoza & NatHan, ATTORNEYS. 


plas ae ee etck ye Sa Ce Peat cat on: 


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fons No. 117 | ma 
iy JEAN LEON GEROME 
‘Frenco 1824—1904 oa 


LION LOOKING FOR PREY — 


Height, 241% inches; length, fe H a 


i E ot Picks naa 


blue sky thickly strewn with Mee. olan 
them the rocky and sandy foothills of the middle 
in sunshine. Up to the base of these, dark green wa 
in gentle ripples which break in low lines of eee 


and shows here and there lonely tufts of coarse grid 
a huge lion, his tail extended almost horizontally, stalks 1 
jestically, his eye directed toward recesses of the cliffs. : a 


~ 


Signed at the lower left, J. L. 


Purchased fun Boussod, Valadon s Co., 1889, who piechiee . 
from the artist. 


Owner, Estate of the late Mrs. Suz McLure Crark. 


7 


No. 118 


PAUL JEAN CLAYS 
Brieran 1819—1900 


A CALM DAY ON THE ESCAUT 


_, Height, 30 inches; length, 40 inches . “ee 
oO aaron as Wiig 2 ee l 


Tue broad river fills the foreground, extending from the right 
down toward the left to the sea in the distance, its blue surface 
mottled with many reflections of the sky that is full of light 
clouds, and of the colors of the varied boats and their sails. 
Tall, square riggers of great bulk, and heavy, smaller sailing 
boats, cluster in the river along the greater part of the length 
of the picture, all with their sails up but slack in the calm—the > 
canvas white, gray and reddish-brown. Gulls are flying low 
over the water. At the left a heavy rowboat in which two 
sturdy figures are seen is making its slow way down the 
stream. . 
Signed at the lower right, P. J. Cuiays, 1875. 


Purchased from Scott & Fowles. 


Owner, STantey P. Girrorp, Ese. 


No. 119 


ADOLF SCHREYER 
Ta German 1828—1899 | 


pO ARAB. CAV ALIERS—CHIEF'S STAPF 


LO 
L} poo Height, 28 inches enatly Sp nate 
+ re 


At the foot of a rugged slope, the hill visible above and behind 
_ them .at the right, and a vast, uneven country extending 
beyond them in the distance, a company of Arab horsemen in — S 
their picturesque garb are gathered about their chief. The 
halt is at the border of a river, an edge of which appears in a 
the foreground at the left. The standard is borne by a rider a . 
on a black horse, who stands nearest the onlooker, beside the 
chief who is mounted on a dappled gray. The others, seven 
in number, have reined up about and behind them, all armed 
and each alert, the light falling strongest on the foremost 
members of the group. The ground is a yellowish-brown, with 
suggestions of green, the sky revealing blue in - places but 
largely overborne by white and dusky-gray clouds which 
thicken and darken over the hilltop at the right. | 


Signed at the lower right, Ap. SCHREYER. 


Purchased from M. Knoedler & Co., New York. 
(12-1 ¢ Owner, STantey P. Girrorp, Ese. AK xYVK — 


The te dean Be fog Laxey 


No. 120 
“ s THEOPHILE DE BOCK 
DutrcH 1850—1904 


SUNSET—CATTLE BY THE POOL 


Height, 29% imches; length, 454 inches 


93 O Ou (ie 
THE western sky, in front and founad the left, is alight wi 


the still bright rays of the sun, the thick white and crea 


yellow clouds over the hilly horizon reflecting their light in q 


the broad pool or shallow stream which nearly fills the fore- 


ground. The sky aloft is darkening, the clouds which fill it 
being a dark, brownish-gray, while faint touches of color warm — 3 ; 
the lighter clouds near the horizon. Standing in the pool near a 


its marshy edge are four cows—black and white, and red—in 


various attitudes, and reeds shoot up through the shallow water a 


in various places. The surrounding country is one of hills and — 
hummocks. At the right a detached tree of sparse foliage 


stands boldly against the sky, and at the left a dense grove — 7 
shuts out the sunset brilliance and throws a deep, dark shadow 


over the pool’s water and its bank. 


Signed at the lower left, TH. p—E Bock. 


Purchased from M. Knoedler & Co., New York. 


1282 0wwer, SranLey P. Girrorp, Esa. Fel/o7 N*XX = 


QA. Toolk Seno Tullo, Los 


1924 CQ. Helkn Toso U SX- 


RT. Sdw ou Tan fy foxXx., 


| 
: 
i 
| 
; 


RESELL 


No. 121 


WILLIAM H. HOWE, N.A. — 
American 1846— 


LANDSCAPE AND CATTLE 


Height, $4 inches; length, 461% inches a 
A 


9) : = as ; 
Low, flat, green meadow with wandering water-courses 
stretches for a long distance through the landscape, far away 
beyond its edge being seen an ancient windmill and an indis-— 
tinct tower rising against the horizon. Cows are in various 
parts of the meadow, and in the immediate front three of them — 
have paused to gaze solemnly at the spectator—or the in-— 
truding artist—on their way to drink from a stream an edge 
of which crosses the foreground. ‘Two are black and white and 
one is all white, and the gaze of the great bovine eyes is keen — 
and all but resentful, as the cows stand in sunlight, their 
shadows about their feet. To the left is a red and white cow, 
standing, and another is lying down. In the air flying birds 
are seen against the sky. | an 


Signed at the lower left, Wm. H. Hows, Paris. 


Purchased direct from the artist, 1889. 


Owner, Estate of the late Mrs. Suz McLure Cuarx. 


ee 


OY ee 


as yA No. 122 


ey ae ADOLF SCHREYER> 
3 German’ 1828—1899 


ARABIAN HORSEMEN 


pes , Height, 34 inches; lengthyA6' inches £ . Vy Je 
¥ ( dee ay to We rg %, AL : 


A LARGE company of Arabs, mounted and armed, are descend- — 
ing from the mountains at the right,.in close but confused 
order, their many-colored horses plunging wildly over the un- 
even slope of rocks and short herbage. Their guns are held 7 
ready for instant use, and a number of the riders keep a sharp 
lookout back over the left shoulder, as though expecting an — 
attack from that quarter or to detect an appearance of an 
enemy over there. The nearest horsemen have fierce, dark, 
strongly: defined features, and their apparel is brilliant in color, _ y. F 
as is the caparisoning of their mounts. ee 


Signed at the lower right, Ap. SCHREYER. 


From Boussod, Valadon & Co., 1888, who purchased it direct from the 
artist. 


Owner, Estate of the late Mrs. Sur McLure Crark. 


toe 


No. 123 


JOAQUIN SOROLLA Y BASTIDA 
Spanish 1865— 


CHILD ON BEACH 


Height, 321% inches; le gthe 530i ches 
Laie 4 V- on ; 


A LITTLE gitl, bare-footed and holding her short skirts up as 
though they would get wet, is coming toward the spectator — 
along a sandy beach, paddling not quite ankle-deep in the 
spent waves which crawl up the sands, coming in from toward 
the right. ‘The waves are full of many colors in the sunlight, 
with their crests and edges foam-white. The child wears a 
bluish-green skirt and drab waist, with a cream-yellow scarf 
crossed over her chest and a sun-bonnet of similar hue, and 
her arms and legs are copper-colored in the strong sunshine. 


Signed at the lower right, J. Sorouyia, 1907. 


Owner, W. Beacu Day, Ese. 


No. 124 


WILLIAM ADOLPHE BOUGUEREAU 
Frencu 1825—1905 


SONG OF THE SHELL—NUDE 


». _ Height, 52 inches; width, 34 sg ya 


A BLOND maiden, painted with all of ae article academic 
mastery of the figure, kneels on one knee at the edge of the 
seashore, a huge projecting rock behind her toward the right, 
and the sunlight diffused about her in her sheltered grotto- 
entrance, as she faces the spectator directly. She has raised 
a whelk-shell to her ear, holding it with her right hand as she 
tilts her head toward her drooping left shoulder, and at the 
same time partly raises her left hand, with index finger pointing 
upward, to command silence as she listens to the far, mysterious 
whispering song of the shell. The pose is exquisitely graceful 
and easy, the flesh-tones delicately vary from a gentle, sunny 
warmth to cooling half-shadows, and the maiden seems to 
smile at what she hears the shell confiding. At the nearer 
edge of the foreground her knees are reflected in a bit of limpid 
water, and in the left distance violet mountains appear beyond 
the blue sea. 


Signed at the upper left, W. Boucurrgau, 1885. 


Purchased from E. Le Roy & Company, Paris, 1889. 


Owner, Estate of the late CHartEes CiarKk. 


* 


> wees 


No. 125 


EUGENE FROMENTIN 
Frencu 1820—1876 


HORSE MARKET IN ALGERIA 


_ Height, 40%4 inches; oe 5814 inches Z." 
© ce 


GRAY mountains with eee on es peaks, their lower ~ 


slopes covered with verdure, rise high in the background toward 
the right, falling away to foothills and plateaus on the left, 
‘where there is a sense of great distance. ‘Thin, vaporous mists 
settle in recesses of the mountains, and the landscape is varied 
and agreeably mottled by shifting shadows of pearl-gray, 
white, and yellowish-brown clouds, which are active in a bright 
sky whose blue between them is veiled by tenuous expansions 
of the aerial vapor. In the broad, sandy and sunlit foreground 
valley, accentuated by slight cloud-shadows over the green 
middle distance, a concourse of the swarthy natives has 
assembled to trade in horses. In their long and flowing robes 
of white, buff, black, red, blue and other colors, and their varied 
Moorish headdresses, they are seated on the ground and stand- 
ing, and mounted, appearing singly and in groups. Some are 
dozing on the sunny sands, more of them keenly alert as they 
judge and discuss the horses, and an innumerable company 
seems still to be assembling from various directions. ‘The 
horses, standing or prancing, are gray, pale sorrel, cream, black 
and brown, with bright sunlight playing on their glossy coats 
and casting shadows at their feet. 


Signed at the lower right, Euc. Fromentin, ’67. 


By order of Carpoza & NaTHAN, ATTORNEYS. 


SA 


ea 
= va 


No. 126 p 


GILBERT STUART ae 


AMERICAN 1756—1828 is 4 
enews as 


hee 


PORTRAIT OF GEN. HENRY KNOX 


oe 


Height, 50 inches; width, 391% inches 
ee 0 A 
Tuts solid portrait, firm, sure and free in handling, pure and 
brilliant in color, depicts the famous Revolutionary fighter and 
first American Secretary of War in his ripe prime, full of 
years, good living and happiness. He appears at three-quar- 
ter length, standing and turned to the right, three-quarters 
front, and wears his Continental dress uniform. The blue- 
black coat is deep and sonorous in tone, and finely set off by 
the high, turned-over collar, broad revers and the lining, all 
alike of a buff-white note which is repeated in the waistcoat 
and breeches. The general’s shoulders are decorated with 
heavy gold epaulettes, and he wears a white ruffled stock with 
lace edges. His right hand rests on his hip, holding back his 
coat and revealing his rotund waist and sturdy thighs, and 
his left hand rests upon a cannon. His gray hair or small 
peruke surmounts a broad forehead and full, kindly, florid 
face, with a strong mouth and firm chin, even with the heavy 
jowls of his years. His eyes are blue. Neutral background. 


Owner, Estate of the late Prerer Hassincer. 


GEN. HENRY KNOX 


This portrait of General Knox carries with it authentication based on personal 
knowledge and embodied in an affidavit, its story dating from the Knox home at 
Thomaston, Maine, when in possession of the general’s daughter, with whom the 
affiant was on terms of friendly intimacy. 

Knox’s first great exploit was bringing guns across bad roads in winter from 
Lake George and the Canadian border to General Washington before Boston, where 
they were much needed after the battle of Bunker Hill. Knox, who was born in 
Boston, July 25, 1750, and was educated in the schools of that town, before the 
Revolution was a captain of an independent artillery company in the Boston militia. 
After the outbreak of the war he was put at the head of the Artillery and became 
a great friend of Washington, who needed an artilleryman. In 1776, the corps 
having been increased to three regiments, he was promoted Brigadier-General, 
and after an active service throughout the war was promoted—following Cornwallis’s 
surrender—Major-General. He also served as Secretary of War from 1785, and 
Washington appointed him to the same office on the adoption of the Constitution. 
He resigned in 1794—owing to his small Cabinet salary—and retired to Thomaston, 
Maine, where his beautiful wife, who was the daughter of General Flucker, owned 
some property. 

On Knox’s retirement from the Cabinet, Washington assured him of his friend- 
ship and declared that he had “deserved well of his country.” General Knox died 
at Thomaston, October 25, 1806, from accidentally swallowing a chicken bone. 

' In subsequent years Mrs. Knox, who had been with her husband in the war and 
many times cheered the wearied troops, and who also had been a most influential ad- 
viser of both her husband and General Washington—often entertained a hundred 
guests at a time in the mansion near the head of St. George’s River, her estate 
skirting the Penobscot Bay. 

Mrs. Sarah Frances Fales, who makes the affidavit, which bears date May 4, 
1876, was the wife of Captain Arthur McLellan Fales, proprietor of Fales’ Steam 
Mills, in Carteret County, North Carolina, and resided at Hollywood, in that 
county and state. She was born at Thomaston, Maine, the daughter of the Hon. 
Edward Robinson, Member of Congress from Maine. In early life, while living 
at Thomaston, she was a frequent visitor at the Knox mansion, being an intimate 
friend of General Knox’s two daughters, Mrs. Thatcher and Mrs. Holmes. Mrs. 
Holmes, the younger daughter, was the wife of the Hon. John Holmes, United 
States Senator from Maine, who married her when she was a widow, her first 
husband being named Swan. 

Mrs. Fales continued to reside at Thomaston until the Knox family was broken 
up by death. In her affidavit she deposes that she well remembers the paintings in 
the Knox mansion, and where they hung in “the Oval room.” She particularizes the 
portrait of General Knox, which Mrs. Holmes and Mrs. Thatcher informed her was 
_ painted by Gilbert Stuart; the portraits of General Flucker and his wife, Mrs. 


Knox’s parents, by Copley; and the portrait of Mr. Swan, first husband of Mrs. 


Holmes, which she thought, but was not sure, was painted by a Mr. Hoyt of 
Boston. 

During the period of Mrs. Fales’ intimacy at the Knox house the property 
belonged to Mrs. Holmes, passing after her death to Mrs. Thatcher, who died in 
1854, after which the furniture and other effects were sold and became scattered. 
At the time Mrs. Fales made her affidavit the Knox portrait belonged to Mrs. 
Augusta Oaksmith of Hollywood, N. C., and Mrs. Fales examined it and fully 
recognized it, and so swore in her affidavit, as the portrait by Gilbert Stuart, which 
formerly had hung in the Oval Room of the Knox Mansion at Thomaston, which 
Mrs. Holmes and Mrs. Thatcher had informed her was the first original portrait of 
General Knox painted by Gilbert Stuart. “Of this she is positive, and it was so 
known in the family,” says the affidavit. 

While the portrait was in Mrs. Oaksmith’s possession, and several years prior 
to Mrs. Fales’ affidavit, efforts were made to have it pass to the ownership of 
the Government, to hang in the Rotunda of the Capitol at Washington, but they 
were unsuccessful. In 1870 Henry A. Reeves of this (New York) State, then a 


member of the Forty-first Congress, wrote to Mrs. Oaksmith the following letter, 
under date of March 18: 


wrt 


eS 


“T shall be very glad to assist you in the matter of the picture, and have 
just spoken with Mr. Brooks on the subject. He tells me he has seen the picture 
hanging in the Knox mansion, that it is a work of great merit, and ought to be 
in the Rotunda, but that it is a matter of much difficulty to get such things carried 
through Congress. He suggests that you send me the lowest sum for which you 
will part with the picture, and then we can confer with the Library Committee 
(which generally takes charge of such matters) about the best mode of attaining 
our object. 

“Mr. Peters, of Maine, is the chairman of the Library Committee and no doubt 
would be interested for his State as well as for you. I will to-morrow evening 
(having a card of invitation to a series of Literary Reunions at Mr. King’s 
residence) speak with him about the case and note his suggestions.” 

Henry A. Reeves was well known to the Civil War generation, and had an active 
and varied career. Born at Sag Harbor, Long Island, in 1833, he studied at the 
University of Michigan; was graduated from Union College, New York, in 1852; 
taught school for two years; studied law, and was admitted to the bar in Brooklyn 
in 1857. Jn 1858 he bought the Republican Watchman, of Greenport, Long Island, 
and edited it. In 1561 Seward caused his arrest for alleged disloyalty and he was 
imprisoned at Fort Lafayette (in the Narrows) for five weeks. 

In 1868 he was elected a Representative in the Forty-first Congress, and served 
on the Committees of Agriculture and the Navy Department. For many years 

thereafter he made his home at Greenport. 
The Mr. Brooks referred to by Mr. Reeves was James Brooks, a Representative 
in that Congrss, who was born in Portland, Maine, November 10, 1810, only four 
years after General Knox’s death. He was a clerk in a store at eleven, a school 
teacher at sixteen, and was graduated from Waterville College before he was twenty- 
one, afterward traveling in Europe and America and publishing letters describing 
his journeys. He was elected to the Maine Legislature in 1835. 

The next year he established the New York Daily Hxupress, which he owned 
and edited. He went to the New York Legislature in 1847, and from 1849 to 1853 
was a Member of Congress for New York City, serving on the Committee on Public 
Lands. Re-elected, he served in the Thirty-eighth Congress on the Committees of 
Ways and Means and the Pacific Railroad, but his seat was contested, successfully, 
by W. E. Dodge. He was a delegate to the Philadelphia “National Union Con- 
vention” of 1866, and was re-elected to the Fortieth Congress, in which he served 
on the Committees~-of Ways and Means, Reconstruction, and Rules. He was 
elected again to the Forty-first Congress and to the two succeeding ones also, 
and during one of the recesses he made a trip around the world and wrote a 
book about it. He died in Washington, April 30, 1873. 

Mr. Peters, mentioned by Mr. Reeves, was John A. Peters, who was born 
at Ellsworth, Hancock County, Maine, October 9, 1822, graduated from Yale Col- 
lege in 1842, and after a course at the Harvard Law School was called to the 
bar at Bangor, Maine, in 1844. He was State Senator of Maine in 1862 and 1893, 
and in 1864 was elected to the House of Representatives, Washington. At the 
close of 1864, and also in the two following years, he was elected by the Maine 
Legislature Attorney-General of the State, and subsequently was elected a Repre- 
sentative in the Fortieth Congress, where he was a member of the Committee on 
Public Expenditures and Patents. He was re-elected to the Forty-first and Forty- 
second Congresses, serving as Chairman of the Committee on Library and also on 
the Judiciary Committee. 

The Mr. King at whose home Mr. Reeves attended a social ‘gathering where 
he expected to find fellow Congressmen was doubtless William S. King, Postmaster 
of the House. Mr. King was a native of New York State, born at Malone, December 
26, 1828. On a farm until his eighteenth year, he then went into insurance business. 
In 1852 he began to publish a Free Soil newspaper, The True Democrat, at Coopers- 
town, and in 1858 moved to Minneapolis and started The State Atlas. He was 
elected Postmaster of the National House of Representatives for the Thirty-seventh 
and Thirty-eighth, and the Fortieth, Forty-first and Forty-second Congresses, and in 
1874 was chosen an M. C. from Minnesota to the Forty-fourth Congress. 


No. 127 
FRENCH SCHOOL 


XViIrH Century 
CLEMENCY OF CORIOLANUS 


A Height, 39 inches; length, 53% i $ 

/ 0 ot rie | Jt 

THE vengeful hero, pictured as a robust, sandy-haired man 
with full neck and immense arms and limbs, appears at the 
left under a canopy of foliage and draperies, with Aufidius and 
the Volscian forces as helmeted halberdiers about him, before 
Rome, where at the Volscian camp his wife, mother, child and 
friends beseech his mercy toward the city. Coriolanus stands 
extending open yet hesitant arms toward Volumnia kneeling 
before his dais, who with one hand at her breast and the other 
in a gesture of appeal pleads in fear and steadfast earnest, 
while a maiden at his feet seeks to hold him back. Behind 
the kneeling mother, Virgilia, in red, white, gray and golden 
robes, standing, holds forward the infant Marcius, nude, with 
arms outspread in appeal, while Valeria as a young maid in 
blue shrinks in fear back of her. At the right aged Menenius 
—‘“‘whom with a crack’d heart ve sent to Rome’—clasps his 
hands in helpless submission, and men and women point in 
awe. In the background are green hills and trees, and castel- 
lated palaces of the city, under a blue sky with white and 
gray clouds. More than a score of figures are shown, and 
large numbers more suggested. 


By order of Carpvoza & NaTHAN, ATTORNEYS. 


No. 128 


ENGLISH SCHOOL - 


PORTRAIT OF NELL GWYNNE 


a < Height, 50 inches; width, 40 inches 

Le ae lo An he eet And , 
THE royal favorite is shown at three-quarter length, seate 
facing the left, three-quarters front, against a dark back- 
ground. She is pictured in her young days, with rosy cheeks 
and gently swelling bosom, and large, sagacious eyes. She is 
gowned in rich robes of a subdued golden-yellow, with flowing 
elbow sleeves slashed and adorned with jewels, and she holds 
in either hand red and ripening fruits—the left hand resting 
in her lap, its companion a little above it on the arm of her 
chair. Her nut-brown hair, smooth over the crown and waved 
over the low forehead, is done in an imposing mass of curls 
falling to her shoulders. She wears large pearl eardrops, a 
short pearl necklace of a single strand, and a pearl pendant 
at the corsage. She sits in youthful and haughty dignity, 
very straight, yet with grace, and her sumptuous robes in the 
form of a shoulder-train flow in amplitude over her chair. 
The calm, inflammable eyes look toward the spectator with 
unhesitating directness. 


By order of Carpoza & NATHAN, ATTORNEYS. 


AMERICAN ART ASSOCIATION, 
% ; MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


ee 
ey 


LIST OF ARTISTS REPRESENTED AND 


THEIR WORKS 


BAKALOWICZ, Lapisiaus 
The Cardinal’s Pets 


BARBUDO-SANCHEZ, Satvapor 


In Honor of His Eminence 


BARYE, Antoine Lovts 
Lion Crushing a Serpent (Bronze) 
An Elephant Crushing a Tiger (Bronze) 
Panther Seizing a Stag (Bronze) 
BERAUD, Jzan 
Scene in the Avenue Alexandre III, Paris 


BERGEN, C. von 
The Knitting Lesson 


BLAKELOCK, Ratpu A. 


Indian Encampment 


BOCK, THEOPHILE DE 
Sunset—Cattle by the Pool 


BOGERT, Gerorce H. 
The New Moon 


BOLDINI, Grovann1 
Highway of Combes-la-Ville 


BOSTON, Josery H. 
Moonlight 


CATALOGUE 
NUMBER 


5 


10 


BOUGUEREAU, WiiuiAm ADOLPHE 
Song of the Shell—Nude 


CACHOUD, F. 
Vieille Grange au Clair de Lune 


CASANOVA Y ESTORACH, ANTONIO 
Anticipation 


CAZIN, JEAN CHARLES 
Windmill and Cornfield 


CEDERSTROM, Tuvre 
The Musician 


A Good Story 


CHAPMAN, Carieton T. 


The Bonhomme Richard and Serapis, Sept. 23, 
1779—‘‘Paul Jones’s Great Victory” 


CHARDIN, JEAN Simron 


Portrait of Bernard René Jourdan de Launay, 
Marquis de Launay, Last Governor of the 
Bastille 


CHASE, Harry 


Riding at Anchor in a Gale 


CHIALIVA, Luter 


Contemplation 
The Shepherdess 


CLAYS, Pau. JEAN 
A Calm Day on the Escaut 


CATALOGUE 
NUMBER 


124 
19 
25 


109 


44 


99 


50 


118 


COROT, JEAN Baptiste CAMILLE 
The Bend of the River 


L’ Arbre tombé en travers de la Riviere 


DIAZ DE LA PENA, NARCISSE VIRGILE 


The Brook in the Wilds 
Moorish Children 


DOMINGO-MUNOZ 
The Spy 


DOUCET, Lucten 
Five O’Ciock TEA 


DUPRE, Jutes 
The Old Oak (La Riviere) 


ENGLISH SCHOOL 


Portrait of Margaret Bryan 
The Honourable Sherson 
Portrait of Nell Gwynne 


GEROME, Jean Lion 
Lion Looking for Prey 


GUARDI, FRANcEsco . 


Santa Maria della Salute 


Venice 


FICHEL, Bensamin EvUGENE 
The Toast 


FORTUNY Y CARBO, Mariano 


Spanish Lady with Fan 


CATALOGUE 
NUMBER 


89 
108 


48 


90 


39 
101 
128 


117 


81 


FRENCH SCHOOL 
Louis XIV 


Clemency of Coriolanus 


FROMENTIN, Evucene 


Passing the Ford 
Horse Market in Algeria 


GHIRLANDAJO (ArrrisutepD To) 
Virgin and Child 


GOUBIE, Jean RicHarp 


The Falconers 
The End of the Ride 


GREUZE, JEAN BaptisTE 
Pensiveness 


HARPIGNIES, Henri 


Menton—Cap Martin 
The Rhone—Suburbs of Beaucaire 


HART, Wim, N.A. 


Summer-time 


HARTMANN, Lupwiae 
Plowing 


HENNER, JEan Jacques 


Female Head 
Téte Rouge 


HOPPNER, Joun, R.A. 
Portrait of Elizabeth Sufnell 


CATALOGUE 
NUMBER 


41 
127 


98 


52 
coe 


79 


91. 
106 


16 


28 


100 


HOWE, Wim H., N.A. 
Landscape and Cattle 


INNESS, GerorcE 
Sunshine and Shadow 


INNESS, GeEorGE, JR. 
Salting the Sheep 


JACQUE, CuHartes Emite 


Sheep in Winter Quarters 
Under the Oak Trees 
The Approaching Storm 


JACQUET, GusTAvE 
Romance 


JAZET, P. 
After the Review 


JIMENEZ, Luts 


Companions 


JONES, Hucu Bouton 
A Brook in Early Spring 


KNIGHT, Dantet Ringway 


Rural Courtship 
Harvester Girl 


LELOIR, Maurice 
La Derniére Gerbe 


LYENFANT DE METZ 
The Perplexed Musician 


CATALOGUE 
NUMBER 


121 


TA 


36 


38 


49 


17 


LHERMITTE, Lton Aveustin 
The Gleaners 


MAUVE, ANTON ~ 
Old Coach in Snow 
A Dutch Farmer’s Team 
Sheep in the Heath 


McCORD, Gerorcet H. 


On the Beach 
The Lighthouse—M oonlight 


MICHEL, GerorceEs 
The Approaching Storm 


MINOR, Roserr C. 


Landscape—Approach of Evening 
Cradle of the Hudson 
Springtime. 


MURPHY, J. Francis 


Sunset 


PARTON, ArtHuur, N.A. 
A Woodland Pool 


PENOT, A. 


Rieuse 


POKITONOW, J. 
The Dutch Hunter 


RANGER, Henry W. 


Landscape 


CATALOGUE 
NUMBER 


112 


107 


Th 


AT 


78 


29 


REMBRANDT (Scuoor or) 
Portrait of an Old Man 


RIBERA (ScHoor oF) 
The Anatomist 


RITSCHEL, Witu1amM 
The Hour Between 


ROYBET, FeEerpinann Vicror Lron 


The Game of Cards 


SANCHEZ-PERRIER, Eminio 
Vue d’un Village 


SCHLEICH, Epvuarp 
Thunderstorm 


SCHLEINGER, F. 
Getting Ready for Dinner 


SCHMIDT, Envwarp ALLAN 
The Armorer 


SCHREYER, Apbo.ir 


Wallachian Convoy in Winter 
Arab Cavaliers—Chief’s Staff 


Arabian Horsemen 


SEGONI, A. 
A Drinking Scene 


SHINN, Evererr 
The Red Dress 


CATALOGUE 
NUMBER 


97 


33 


93 


18 


ll 


bo 
bo 


SMILLIE, Gerorce H., N.A. 
In Westchester County, New York 


SOROLLA Y BASTIDA, Joaquin 
Child on Beach 


SOULACROIX, F. 
“Here I Am!” 


SPANISH SCHOOL 


Saint Cecilia 


STUART, GILBERT 
Portrait of Gen. Henry Knox 


SYLVA Y VELASQUEZ, Dirco Ropricurz pE 


Temple of the Winds 


THAULOW, Fritz 


Sunset on the River 
Bridge at Beaulieu 
The Mill 

River Arque in Autumn 


TROUILLEBERT, Pau Désiré 
Landscape 


UNKNOWN 
Portrait of a Lady 
Harbor View 


VAN BOSKERCK, Roserr W. 
Sussex Cottage, Pulborough, England 


CATALOGUE 
NUMBER 


30 
123 f 

46 

40 
126 
115 


37 
51 
94 
103 


84 


12 
13 


43 


CATALOGUE 
NUMBER 


VAN MABUSE, Jan 
Virgin and Child 


VAN MARCKE, Emite 
The Noontime Drink 


VINEA, FRANcEsco 
The Fortune Teller 


WATTIEAUX, N. 


Vulcan Hearkening to Venus 


WYANT, ALEexanper H. 
County Kerry 


ZIEM, Frvix . 
Grand Canal, Venice 


PRINT PORTRAITS 
WITH ORIGINAL ETCHINGS, AUTOGRAPHS, ETC. 
Etching 
Etching, Portrait and Autograph of J. L. E. 


Meissonier 

Etching, Portrait and Autograph of Jean 
Francois Millet 

Engraving by Charles Francois Daubigny, an 
Autograph Letter and a Portrait of Him 


Etching, Autograph Letter and Portrait of 
Jean Baptiste Camille Corot 


102 


Ill 


34 


58 


75 


is Etching, Portrait cand 


Portraits: and Lock of Hair of ( 
Portraits of the ee J osephine, w wi 


Lawrence 


Hugo 


Portrait. ‘and Autograph a 
Whittier | | a0 


lions of Napoleon | 


Poe of the Comtesse ae Bary, witl 
eo taeterss 


Portrait one State Paper of Queen I Eliz 2 


i eae a 3 3125 01663 0341 
Pir aici 


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